{"title":"Art - American - Hispanic \u0026 Latino","description":"","products":[{"product_id":"the-art-of-my-neighbor-totoro-9781591166986","title":"The Art of My Neighbor Totoro","description":"A generous collection of concept sketches, fully rendered character and background drawings, paintings and cell images! Meet the film's principal characters and read interviews and comments with the production staff. \u003cp\u003e\u003c\/p\u003eA generous collection of concept sketches, fully rendered character and background drawings, paintings and cell images! Meet the novel's principal characters and read interviews and comments with the production staff.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Hayao Miyazaki\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Viz Media\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 11\/01\/2005\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 176\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.50lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.80h x 8.50w x 0.80d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781591166986\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eHayao Miyazaki is one of Japan's most beloved animation directors. In 2005 he was awarded the Venice International Film Festival's Golden Lion Award for Lifetime Achievement, and his Studio Ghibli received the festival's Osella Award for overall achievement in 2004. 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Complex and intertwined concepts are explored: forced migration and slavery, the environmental consequences of colonialism, the occupation of Native lands, the urban plight of Black and Brown communities, and how cultural practices and knowledge systems of indigenous peoples can change our perspectives of the natural world.\u003c\/p\u003e\u003cp\u003eCompelling and thought-provoking, \u003cem\u003eBlack Earth Rising\u003c\/em\u003e presents a discourse around climate change that situates the voices of people of color at the active center rather than on the passive periphery, and expands our understanding of aesthetic perspectives on climate change through artworks that reach to the poetic and lyrical rather than the didactic.\u003c\/p\u003e\u003cp\u003eLearn more about the exhibition at artbma.org\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Ekow Eshun\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Thames \u0026amp; Hudson\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/03\/2025\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 240\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.95lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 12.30h x 9.90w x 1.10d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780500028780\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eGómez-Barris, Macarena:\u003c\/i\u003e\u003c\/b\u003e - \u003cbr\u003e\u003cb\u003e\u003ci\u003eEshun, Ekow:\u003c\/i\u003e\u003c\/b\u003e - \u003cstrong\u003eEkow Eshun\u003c\/strong\u003e is a writer, curator, journalist, and broadcaster based in London, whose writing has appeared in publications including \u003cem\u003eThe New York Times\u003c\/em\u003e, the \u003cem\u003eFinancial Times\u003c\/em\u003e, \u003cem\u003eThe Guardian\u003c\/em\u003e, and \u003cem\u003eVogue\u003c\/em\u003e. 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Sosa derives inspiration from and reflects a bold palette of strong female figures. Celebrating what the women of these borderlands think, feel, and revere culturally, she explores the roles of indigenous traditions, colors, and textiles. Family, friends, neighbors, and acquaintances--real and imagined--participate in the spirit of \u003ci\u003emexicanidad\u003c\/i\u003e, though most were not born in Mexico and some have never visited. 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She received national recognition for her traveling exhibition Huipiles: A Celebration, which debuted at the Mexican Cultural Institute in Washington, D.C., as part of the Smithsonian Latino Center. Her work has been featured on CNN and in other media nationally. She is the coproducer of the documentary series \u003ci\u003eChildren of the Revolución: How the Mexican Revolution Changed America's Destiny\u003c\/i\u003e, which chronicles the history of the Texas-Mexico borderlands. She is the author of \u003ci\u003eMestizaje: The Feminist Art of Kathy Sosa\u003c\/i\u003e and the coeditor and illustrator of \u003ci\u003eRevolutionary Women of Texas and Mexico class​ Portraits of Soldaderas, Saints, and Subversives\u003c\/i\u003e\u003ci\u003e​\u003c\/i\u003e. She lives in San Antonio, Texas, and Querétaro, Mexico.\u003cbr\u003e","brand":"booksdeli.com","offers":[{"title":"Kathy Sosa \/ Hardcover \/ English","offer_id":47286153740445,"sku":"9781595343154","price":71.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_3f53052f-9b86-4d4e-9edb-347b6c3e9de3.jpg?v=1760016090"},{"product_id":"nuyorican-and-diasporican-visual-art-a-critical-anthology-9781478031215","title":"Nuyorican and Diasporican Visual Art: A Critical Anthology","description":"Although Puerto Rican artists have always been central figures in contemporary American and international art worlds, they have largely gone unrecognized and been excluded from art history canons. \u003ci\u003eNuyorican and Diasporican Visual Art\u003c\/i\u003e provides a critical survey of Puerto Rican art production in the United States from the 1960s to the present. 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Of course, this book is more than that--more than a narrative of loss--it is a book of poetic reclamation, of poetic imagination, of finding new and interesting ways to tell a story, a love of language at its center, so as to reclaim a history of trauma and mythologize the self. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Octavio Quintanilla\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Trp: The University Press of Shsu\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/01\/2024\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 122\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.70lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 7.00h x 8.90w x 0.40d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781680033663\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e Octavio Quintanilla is the author of the poetry collection, \u003ci\u003eIf I Go Missing\u003c\/i\u003e (Slough Press, 2014) and of \u003ci\u003eThe Book of Wounded Sparrows\u003c\/i\u003e (Texas Review Press, 2024). He served as the 2018-2020 Poet Laureate of San Antonio, TX. His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as \u003ci\u003eThe Southampton Review\u003c\/i\u003e, \u003ci\u003eSalamander, \u003c\/i\u003e\u003ci\u003eRHINO\u003c\/i\u003e, \u003ci\u003eAlaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art \u0026amp; Literature\u003c\/i\u003e, and elsewhere. His Frontextos (visual poems) have been published in \u003ci\u003ePoetry Northwest\u003c\/i\u003e, \u003ci\u003eTexas Review Press\u003c\/i\u003e, \u003ci\u003eBorderlands: Texas Poetry Review, Midway Journal, The Langdon Review of the Arts in Texas\u003c\/i\u003e, and elsewhere. His poetry and Frontextos can be found at the San Antonio Labor Plaza, and at Poet's Point, a San Antonio community space. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Octavio's visual work has been exhibited in numerous spaces, including the Mexican Cultural Institute in San Antonio, TX, El Paso Museum of Art, Southwest School of Art, Presa House Gallery, Brownsville Museum of Fine Art, Emma S. Barrientos Mexican American Cultural Center \/ Black Box Theater in Austin, TX. \u003cp\u003e\u003c\/p\u003e Octavio is the Founder and Director of the Literature and Arts Festival, VersoFrontera, and the Founder and Publisher of Alabrava Press. Octavio holds a Ph.D. from the University of North Texas and is the regional editor for \u003ci\u003eTexas Books in Review\u003c\/i\u003e. He is the recipient of the Nebrija Creadores Scholarship which allowed him a month-long residency at the Instituto Franklin at Alcalá University in Alcalá de Henares, Spain. He teaches Literature and Creative Writing in the M.A.\/M.F.A. program at Our Lady of the Lake University in San Antonio, Texas. \u003cbr\u003e","brand":"booksdeli.com","offers":[{"title":"Octavio Quintanilla \/ Paperback \/ English","offer_id":47287268737181,"sku":"9781680033663","price":37.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_5c19c33d-42dd-4b65-8acd-0330006fc245.jpg?v=1760038677"},{"product_id":"day-of-the-dead-the-history-of-a-celebration-9781419767548","title":"Day of the Dead: The History of a Celebration","description":"\u003cb\u003eA stunning bilingual, illustrated, and photographic account of a celebrated Mexican tradition\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e In this gorgeous coffee table book, beloved Mexican art and culture magazine \u003ci\u003eArtes de México \u003c\/i\u003ecreates a written, illustrated, and photographic account of the Day of the Dead celebration that takes readers through the origins of the holiday, as well as its history and evolution and the many ways it's celebrated today. \u003cp\u003e\u003c\/p\u003e The lively Mexican holiday of Dia de Los Muertos (Day of the Dead) brings together sorrow and laughter, drawing from indigenous traditions of celebrating one's ancestors and loved ones who have been lost. 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Texts include a reprint of \u003cb\u003eJoyce Carol Oates\u003c\/b\u003e' \u003ci\u003eOn Boxing\u003c\/i\u003e, essays by exhibition co-curators\u003cb\u003e Denise Markonish\u003c\/b\u003e and \u003cb\u003ePatricia Restrepo\u003c\/b\u003e; and a text by \u003cb\u003eEvan Garza \u003c\/b\u003eon the artist's relationship to Texas.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Vincent Valdez\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e X Artists' Books\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 12\/12\/2024\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 224\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.05lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.60h x 8.70w x 1.00d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9798990698505\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eOates, Joyce Carol:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003e\u003cb\u003eJoyce Carol Oates\u003c\/b\u003e has published more than seventy books of fiction, poetry, and essays. Her novels include \u003ci\u003eNight. Sleep. Death. The Stars.\u003c\/i\u003e; \u003ci\u003eThe Book of American Martyrs\u003c\/i\u003e; \u003ci\u003eThe Accursed\u003c\/i\u003e; \u003ci\u003eThe Gravedigger's Daughte\u003c\/i\u003er; \u003ci\u003eBlonde\u003c\/i\u003e; \u003ci\u003eWe Were the Mulvaneys\u003c\/i\u003e; \u003ci\u003eBecause It Is Bitter, and Because It Is My Heart\u003c\/i\u003e; \u003ci\u003eYou Must Remember This\u003c\/i\u003e; \u003ci\u003eBellefleur\u003c\/i\u003e; and \u003ci\u003ethem\u003c\/i\u003e. She is also the author of the story collections \u003ci\u003eBeautiful Days\u003c\/i\u003e and \u003ci\u003eDis mem ber\u003c\/i\u003e. She has been a professor at Princeton University since 1978, and was the founding editor of \u003ci\u003eThe Ontario Review\u003c\/i\u003e. She has been a finalist for the Pulitzer Prize multiple times, received the National Book Award for \u003ci\u003ethem\u003c\/i\u003e (1969) and for \u003ci\u003eBlonde\u003c\/i\u003e (2000), and received the National Humanities Medal in 2010 for her lifetime achievement in literature.\u003c\/p\u003e\u003cb\u003e\u003ci\u003eValdez, Vincent:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003e\u003cb\u003eVincent Valdez \u003c\/b\u003e is a Houston and Los Angeles-based artist. He received a BFA from the Rhode Island School of Design. He was a recipient of the Joan Mitchell Foundation Grant for Painters and Sculptors, and also completed residencies at the Skowhegan School of Painting, the Vermont Studio Center, the Kunstlerhaus Bethania Berlin Residency, and Joan Mitchell Center. Valdez was awarded an Artadia grant and was an artist fellow at NXTHVN in New Haven.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThe artist's work is included in numerous museum collections across the United States. Recent institutional exhibitions include \u003ci\u003eThe Face of Battle: Americans at War, 9\/11 to Now\u003c\/i\u003e, Smithsonian Museum of American Art and National Portrait Gallery, Washington, DC; \u003ci\u003eSo Different, So Appealing\u003c\/i\u003e, Los Angeles County Museum of Art (LACMA), Los Angeles, CA; \u003ci\u003eThe City\u003c\/i\u003e, Blanton Museum of Art, Austin, TX; \u003ci\u003eBetween Play and Grief\u003c\/i\u003e \u003ci\u003eSelections from the Permanent Collection\u003c\/i\u003e, Museum of Fine Arts, Houston (2019); \u003ci\u003eSuffering from Realness\u003c\/i\u003e curated by Denise Markonish Massachusetts Museum of Contemporary Art (MASS MoCA);and \u003ci\u003eESTAMOS BIEN: LA TRIENAL 20\/21\u003c\/i\u003e at El Museo del Barrio, New York, NY. He is represented by Matthew Brown Gallery in Los Angeles, CA.\u003c\/p\u003e\u003cb\u003e\u003ci\u003eMarkonish, Denise:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003e\u003cb\u003eDenise Markonish\u003c\/b\u003e is the Chief Curator at MASS MoCA. Her exhibitions include \u003ci\u003eJeffrey Gibson: \u003c\/i\u003e \u003ci\u003ePOWER FULL BECAUSE WE'RE DIFFERENT\u003c\/i\u003e; \u003ci\u003eJoseph Grigely: In What Way Wham?\u003c\/i\u003e; \u003ci\u003eAmy Yoes: Hot Corners\u003c\/i\u003e; \u003ci\u003eMarc Swanson: A Memorial to Ice at the Dead Dear Disco\u003c\/i\u003e (MASS MoCA and Thomas Cole National Historic Site, Catskill, NY); \u003ci\u003eLily Cox-Richard: Weep Holes\u003c\/i\u003e; \u003ci\u003eAmy Hauft: Terra, Luna, + Sol\u003c\/i\u003e; \u003ci\u003eGlenn Kaino: In the Light of a Shadow\u003c\/i\u003e; \u003ci\u003eSuffering from Realness\u003c\/i\u003e; \u003ci\u003eTrenton Doyle Hancock, Mind of the Mound: Critical Mass\u003c\/i\u003e; \u003ci\u003eNick Cave: Unti\u003c\/i\u003el (co-organizers Carriageworks, Sydney, Australia, and The Momentary, Bentonville, AK; traveled to Tramway, Glasgow, Scotland); \u003ci\u003eExplode Every Day: An Inquiry into the Phenomena of Wonder\u003c\/i\u003e; \u003ci\u003eTeresita Fernández: As Above So Below\u003c\/i\u003e; \u003ci\u003eOh, Canada\u003c\/i\u003e (traveled to Alberta, New Brunswick, and Prince Edward Island); \u003ci\u003eNari Ward: Sub Mirage Lignum\u003c\/i\u003e; \u003ci\u003eThese Days: Elegies for Modern Times\u003c\/i\u003e; and \u003ci\u003eBadlands: New Horizons in Landscape\u003c\/i\u003e. She has worked on long-term projects with Laurie Anderson and has commissioned works by Sarah Oppenheimer, Stephen Vitiello, Julianne Swartz, Mark Dion, and many others. Markonish has produced numerous exhibition catalogs and has guest edited the books \u003ci\u003eTeresita Fernández: Wayfinding\u003c\/i\u003e (DelMonico) and \u003ci\u003eWonder: 50 Years of RISD Glass\u003c\/i\u003e, and co-edited \u003ci\u003eSol LeWitt: 100 Views\u003c\/i\u003e (Yale University Press). She has taught at Williams College and the Rhode Island School of Design, was a visiting curator at Artpace, San Antonio, and Haystack School of Craft, Deer Isle, Maine.\u003c\/p\u003e\u003cbr\u003eEt al...\u003cbr\u003e","brand":"booksdeli.com","offers":[{"title":"Vincent Valdez \/ Hardcover \/ English","offer_id":47430216974493,"sku":"9798990698505","price":71.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_5a8afb7a-2d44-48a1-bf25-f8658964fb36.jpg?v=1763765459"},{"product_id":"vaivzsn-21st-century-art-of-puerto-rico-and-its-diaspora-9781517919764","title":"Vaivén: 21st-Century Art of Puerto Rico and Its Diaspora","description":"\u003cp\u003e\u003cb\u003eTwenty-five years of creative expression from Puerto Rican artists working in Puerto Rico and across its U.S. diaspora\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eConnoting back and forth movement, the word \u003ci\u003evaivén\u003c\/i\u003e is frequently used to describe the supposed ease with which Puerto Ricans travel between the United States and Puerto Rico. Not just physical but also psychological, this diasporic oscillation is inextricably linked to Puerto Rican heritage, and the fluidity between the two geographies is constant, complex, and profound.\u003cp\u003eA collaboration between the Katherine E. Nash Gallery at the University of Minnesota and Hidrante, San Juan, \u003ci\u003eVaivén: 21st-Century Art of Puerto Rico and Its Diaspora\u003c\/i\u003e showcases the work of forty-three intergenerational artists working from Puerto Rico and its U.S. diaspora who explore the hybridity of memory, language, place, and ancestral knowledge as they relate to acts of witnessing, resistance, and kinship. 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Rosa-Rey, Juan Sánchez, Beatriz Santiago Muñoz, Amarise Deán Santo, Edra Soto, Bibiana Suárez, Nitza Tufiño, William Villalongo.\u003c\/p\u003e\u003cp\u003eContributors: Yomaira C. Figueroa-Vásquez, María Elena Ortiz, Carlos Ortiz Burgos, Monica Uszerowicz.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e TerÃ©z Iacovino\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Katherine E. Nash Gallery\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/02\/2025\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 272\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.14lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.67h x 9.04w x 0.83d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781517919764\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e Teréz Iacovino is assistant curator of the Katherine E. Nash Gallery. \u003c\/p\u003e\u003cp\u003e José López Serra is an independent curator and director of Hidrante, San Juan, a Puerto Rico-based gallery and residency program. \u003c\/p\u003e\u003cp\u003e Arlene Dávila is professor of anthropology and American studies at New York University and author of \u003ci\u003eLatinx Art: Artists, Markets, and Politics\u003c\/i\u003e. \u003c\/p\u003e\u003cbr\u003e","brand":"booksdeli.com","offers":[{"title":"Ter\u0026#195;\u0026#169;z Iacovino \/ Paperback \/ English","offer_id":47520950157469,"sku":"9781517919764","price":55.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_0e68b718-0ef1-4b65-bd03-871a894ad1ef.jpg?v=1767115613"},{"product_id":"artepano-chicano-prisoner-kerchief-art-9781584237969","title":"Artepano: Chicano Prisoner Kerchief Art","description":"\u003ci\u003eArtepaño: Chicano Prisoner Kerchief Art\u003c\/i\u003e features fifty artworks by Latinx artists working in the context of the American penal system. A paño is a standard fifteen by fifteen-inch cotton handkerchief transformed into a work of art by prisoners that alternatively self-identify as Chicano, Mexican-American, Latino, and\/or Hispanic. The artists also self-identify alternately as inmate. \u003cp\u003e\u003c\/p\u003eThe \u003ci\u003eArtepaño: Chicano Prisoner Kerchief Art\u003c\/i\u003e exhibition presents a thorough sampling of the distinctive styles found in paño art. The majority of works come from the private collection of Mr. Leplat-Torti, who has one of the largest collections of paño art in the world. Additionally works of art come from the collection of the National Hispanic Cultural Center in Albuquerque, New Mexico and the Nora Eccles Harrison Museum of Art, Utah State University. \u003cp\u003e\u003c\/p\u003eThe \u003ci\u003eArtepaño: Chicano Prisoner Kerchief Art\u003c\/i\u003e exhibition will be accompanied by a catalog with illustrations of every paño featured in the exhibition with annotations by curator Dr. Álvaro Ibarra. The publication will also feature an essay by renowned scholar Ben V. Olguin. Dr. Olguin's essay explores the complex social and economic factors surrounding the development of the artepaño tradition. 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This in-depth oral history gives an unparalleled look at García's life and work, tracing his evolution as an artist and the political upheavals that shaped his life and worldview. \u003c\/p\u003e\u003cp\u003eMario T. García's \u003ci\u003etestimonio\u003c\/i\u003e places Rupert García's art in historical perspective, from his beginnings as a working-class Mexican American from California's Central Valley, his coming of age in the U.S. Air Force during the Vietnam War, his involvement in the antiwar movement during the San Francisco State student strike in 1968-69, and his participation in the Chicano Movement and beyond. Influenced by history and politics, García's vital works of art represent a changing world through the eyes of an artist, speaking to issues of poverty, racism, capitalism, war, and the role of the artist in society.\u003c\/p\u003e\u003cp\u003eHis art--from revolutionary silkscreen posters to monumental pastels to portraits of political icons like Frida Kahlo, Che Guevara, and Dolores Huerta--serves to critique history and reassess it. It is work that will endure for generations to come. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Mario T. GarcÃ­a\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Rutgers University Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 01\/13\/2026\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 315\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.30lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.20h x 7.20w x 1.20d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781978844018\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eMARIO T. GARCÍA is a distinguished professor of Chicano studies and history at the University of California, Santa Barbara. He has published over 20 books over the course of his career, including \u003ci\u003eBlowout!: Sal Castro and the Chicano Struggle for Educational Justice \u003c\/i\u003eand \u003ci\u003eThe Latino Generation: Voices of the New America.\u003c\/i\u003e\u003cbr\u003e","brand":"booksdeli.com","offers":[{"title":"Mario T. 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Artists from all over the state played important roles in the movement by providing art, participating in political discourse, and organizing actions. However, while some activists and organizers, such as Dolores Huerta, are known and celebrated nationally, most of these artists have gone unrecognized. Not only have they been overlooked in the art history and discourse of New Mexico, they have also gone unrecognized in the discussion of Chicano art history nationally. \u003ci\u003eVoces del Pueblo\u003c\/i\u003e begins to repair this gap in the history of the Chicana and Chicano art movement. Printed in color and black and white, the book showcases nearly two hundred images, including work by six New Mexico artists as well as historical photos of the movement. Readers will also find interviews with each of these artists and contextualizing essays by the cocurators of the National Hispanic Cultural Center exhibit, Ray Hernández-Durán and Irene Vásquez, as well as scholars, such as Phillip B. (Felipe) Gonzales, Howard Griego, and Sonja Elena Gandert. The result is an incomparable look at art history in New Mexico and the importance of New Mexican artists in the Chicana and Chicano Movement.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Ray HernÃ¡ndez-DurÃ¡n,Irene VÃ¡squez\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Unm Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 12\/09\/2025\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 304\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.00lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.90h x 8.00w x 1.20d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780826368737\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRay Hernández-Durán \u003c\/b\u003eis a professor of art history and an associate chair in the Department of Art at the University of New Mexico. 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