{"title":"Art - Collections, Catalogs, Exhibitions - Group Shows","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDiscover a curated selection of art collection books and art exhibition catalogues, including rare art books, archive art books, and group show catalogs. Shop the best books to read at our online bookstore!\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"mothering-myths-an-abc-of-art-birth-and-care-9789493246423","title":"Mothering Myths: An ABC of Art, Birth and Care","description":"\u003cp\u003e\u003cb\u003eA comprehensive, intersectional and transhistorical meditation on depictions of motherhood in art, from the Middle Ages to today\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePublished with Centraal Museum, Utrecht and Nest, The Hague.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eRooted in the visual arts, this book gathers a multitude of voices on the theme of motherhood. Though central to the core of all life, the topic of motherhood has long been relegated to the private domain. Within the art world, depictions of motherhood have also been fraught. From the Middle Ages to the 20th century, Mary was depicted as the \"primal mother.\" Mothers were idealized in Western art, often as women who sacrifice themselves for the good of their children. Moreover, these idealized depictions were usually made by men. In modern and contemporary art, motherhood has been considered trivial and insignificant, not a subject for great art. Artist Lise Halle Baggesen, in her extensive art project \u003ci\u003eMothernism\u003c\/i\u003e, describes a \"mother-shaped hole\" a black hole in the history of art when it comes to the depiction of maternal care. To this day, that cliché is still largely transmitted to female artists in art school. Young women artists often receive the message that they should not make \"womb art\" and that motherhood is not an interesting theme for good art. As an artist with a womb, you are often told to choose between artistry and motherhood because both require a full commitment which would make them incompatible.\u003cbr\u003eFollowing the format of the previously published \u003ci\u003eOn the Necessity of Gardening\u003c\/i\u003e, \u003ci\u003eMothering Myths\u003c\/i\u003e starts from the same base: an abecedary intersected by longer essays. The abecedarium gathers fragments of shorter texts that together offer a layered and wide-ranging perspective on the meaning of motherhood, including selections by Tracey Emin, Paul B. Preciado, Sheila Heti, Angela Davis, Simone de Beauvoir, Anne Sexton, Louise Bourgeois, Julie Phillips, Hettie Judah, Maggie Nelson, Linda Nochlin, Susan Griffin, Silvia Federici, Sinéad Gleeson, James Baldwin, Nick Cave, Audre Lorde, Élisabeth Badinter, Sarah Jaffe, Ocean Vuong, Elena Ferrante, Jane Lazarre, Torrey Peters and Rachel Cusk.\u003cbr\u003eThis book was published in conjunction with Centraal Museum, Utrecht\/Nest, The Hague.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Laurie Cluitmans\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Valiz\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/03\/2025\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 304\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.65lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 12.50h x 9.40w x 1.00d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9789493246423","brand":"booksdeli.com","offers":[{"title":"Laurie Cluitmans \/ Paperback \/ English","offer_id":47283588825245,"sku":"9789493246423","price":59.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_f31742be-9e95-4935-934f-060ccf6fc680.jpg?v=1759968569"},{"product_id":"an-indigenous-present-9781636811024","title":"An Indigenous Present","description":"\u003cp\u003e\u003cb\u003eA monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums -- A \u003ci\u003eWall Street Journal\u003c\/i\u003e 2023 holiday gift guide pick\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePublished with BIG NDN Press.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThis landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, \u003ci\u003eAn Indigenous Present\u003c\/i\u003e presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. \u003ci\u003eAn Indigenous Present\u003c\/i\u003e foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.\u003cbr\u003e\u003cb\u003eArtists include\u003c\/b\u003e: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi', Wally Dion, Divide and Dissolve, Korina Emmerich, Ka'ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine \"KP\" Paul\/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. 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This volume is the second installment of Lynch's series of photographic explorations of the female figure. \u003ci\u003eDigital Nudes\u003c\/i\u003e brings together a corpus of previously unpublished digital images in line with the aesthetics of the first volume's analog photographs, while experimenting with the possibilities offered by digital technology.\u003cbr\u003eKaleidoscopic visions of legs, arms or inscrutable landscapes of soft skin, chiaroscuro portraits where the stark lighting cuts across his subjects as cleanly as a knife, images of varnished nails and lacquered mouths all appear--the American filmmaker's photography embodies a style that can only be described as \"Lynchian.\" The Fondation Cartier pour l'art contemporain presents this collection of images that combine the surreal and the sensual to create new, nearly uncanny interpretations of feminine beauty.\u003cbr\u003e\u003cb\u003eDavid Lynch\u003c\/b\u003e (born 1946) is the enigmatic mastermind behind some of the strangest and most beloved contemporary classics in cinema and television. 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He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, \u003ci\u003eThis Morning, This Evening, So Soon\u003c\/i\u003e situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize-winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin's circle. 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As a Westerner transplanted to New York, Didion was able to look at her native land, its mores and fixed rules of behavior, with the loving and critical eyes of a daughter who got out and went back. (Didion and her late husband moved from New York to Los Angeles in 1964, where they worked as highly successful screenwriters, producing scripts for 1971's \u003ci\u003eThe Panic in Needle Park\u003c\/i\u003e and 1976's \u003ci\u003eA Star Is Born\u003c\/i\u003e, among other works, before returning to New York 20 years later.) And from her New York perch, Didion was able to observe the political scene more closely, writing trenchant pieces about Clinton, El Salvador and most searingly the Central Park Five. The book includes more than 50 artists ranging from Brice Marden and Ed Ruscha to Betye Saar, Vija Clemins and many others, with works in all mediums including painting, ephemera, photography, sculpture, video and film. 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Size-96 cowboy boots. A quilt incorporating the jean outfits of a farmer and his son. This book features more than 100 photos of extraordinary and unconventional crafts from state and tribal fairs, including needlework, basketry, ceramics, crop art, butter sculpture, Nordic Rosemaling, and Spanish Colonial embroidery. In essays that explore the history of crafting at state fairs from the 1840s to present day, contributors reflect on: \u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThe way fairgrounds connect people through craft\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eHow the fair provided a public platform for women's achievements\u003c\/li\u003e\n\u003cli\u003eThe significance of Indigenous fairs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cul\u003e\u003cli\u003e4-H and youth participation\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eThe relationship between fairs and studio craft\u003c\/li\u003e\n\u003cli\u003eCrafts in unexpected places, including tractor and machine halls, horticulture and dairy displays, rodeos, and horse races\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eFrom kitschy to tender, the highlighted crafts and the local and regional traditions behind them create a vibrant portrait of American culture. 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Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. 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This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture. \u003cp\u003e\u003c\/p\u003e Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book's essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement. \u003cp\u003e\u003c\/p\u003e Published in association with the National Gallery of Art \u003cp\u003e\u003c\/p\u003e\u003cb\u003eExhibition Schedule: \u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eNational Gallery of Art, Washington, DC\u003c\/b\u003e \u003cbr\u003e (September 21, 2025-January 4, 2026) \u003cp\u003e\u003c\/p\u003e\u003cb\u003eJ. 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Named for the vehicle favored by the New York City police, Gran Fury formed to summon a sense of collective indignation. The collective's innovative graphic design campaigns were mobilized in ACT UP demonstrations to awaken the public to the disdain, neglect and silence of Ronald Reagan's administration during the epidemic. The group produced posters, newspapers, stickers, photographs, videos and billboards that were circulated to transform perceptions about HIV\/AIDS, interrogate ineffective public policies and underreported government data, interrupt misconceptions disseminated by the media, confront the morality of religious institutions, and alleviate the stigma and discrimination faced by people living with HIV\/AIDS. 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Reece is based on Vancouver Island, BC. In her artistic practice she aims to challenge, educate and inform audiences through her writing, performance art, video, photography and the characters she creates. Reece was awarded the Reveal Indigenous Art Award, the Viva Award and a BC Achievement Award for excellence in the Arts. Some notable works include 'The Sacred Clown, ' a collaboration with artist Jesse Scott created for the Medicine Project based on a Hopi tradition where the character often says or does uncouth things to teach lessons. Reece has largely attributed her humour as a direct result of growing up listening to stories of the Northwest Coast Trickster.\u003cp\u003e\u003c\/p\u003e\u003cb\u003e\u003ci\u003eSwan, Marika Echachis:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eMarika Echachis Swan\u003c\/b\u003e is of Tla-o-qui-aht \/ Nuu-chah-nulth, Irish, and Scottish descent. 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In Swan's carving work she emphasizes creating items that are meant to be used as an invitation to bring everyday action back into alignment with Nuu-chah-nulth worldviews and lifeways.","brand":"booksdeli.com","offers":[{"title":"Skeena Reece \/ Hardcover \/ English","offer_id":47351174037661,"sku":"9781773272542","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/5648\/9373\/files\/img_4be2655d-72d8-47eb-83ba-abb40c3b1b87.jpg?v=1761686862"},{"product_id":"masahisa-fukase-sasuke-9782365113106","title":"Masahisa Fukase: Sasuke","description":"\u003cp\u003e\u003cb\u003eA tender and joyful portrait of cat companionship from the author of \u003ci\u003eThe Solitude of Ravens\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn 1977, photographer Masahisa Fukase turned his lens toward a new companion: his cat, Sasuke. \"That year I took a lot of pictures crawling on my stomach to be at eye level with a cat and, in a way, that made me a cat. It was a job full of joy, taking these photos playing with what I liked, in accordance with the changes of nature.\" A year later, he acquired a second cat, named Momoe. \"I didn't want to photograph the most beautiful cats in the world but rather capture their charm in my lens, while reflecting me in their pupils,\" he wrote of these images. \"You could rightly say that this collection is actually a 'self-portrait' for which I took the form of Sasuke and Momoe.\"\u003cbr\u003eFeaturing tipped-on cover images, this gorgeously made book is arranged in four chapters, organized around the chronology of Fukase's life with his cats. 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Hoppé (1927)\u003c\/p\u003e\u003cp\u003eCarleton Watkins (1870's)\u003c\/p\u003e\u003cp\u003eEssay Authors: \u003c\/p\u003e\u003cp\u003eLynn Sweet, Plant Ecologist, University of California, Riverside\u003c\/p\u003e\u003cp\u003eChris Smith, Joshua Tree Genome Project\u003c\/p\u003e\u003cp\u003eJeremy Yoder, Evolutionary Biologist, California State University, Northridge\u003c\/p\u003e\u003cp\u003eCameron Barrows, Research Ecologist, University of California Riverside (retired)\u003c\/p\u003e\u003cp\u003eDaniel Hastings, PhD student at UC Santa Cruz\u003c\/p\u003e\u003cp\u003eSean Milanovich, Historian, Vice President of the Native American Land Conservancy, Member of Cahuilla Tribe\u003c\/p\u003e\u003cp\u003eBrendan Cummings, Attorney, Conservation Director, Center for Biological Diversity, Author of the petition to protect Joshua trees under California's endangered species act\u003c\/p\u003e\u003cp\u003eTyler Green, historian, critic and author, whose work examines the ways in which artists and their work have engaged with and impacted national histories\u003c\/p\u003e\u003cp\u003eShana Nys Dambrot, art critic, art historian, curator, author, and Arts Editor for the L.A. Weekly\u003c\/p\u003e\u003cp\u003eChris Clarke, Environmental Writer and Podcaster \"90 Miles from Needles,\" formerly California Desert Associate Director for the National Park Conservation Association, and KCET Environment Editor\u003c\/p\u003e\u003cp\u003eRuth Wallen, Art faculty at UC San Diego, eco artist and writer\u003c\/p\u003e\u003cp\u003eRuth Nolan, M.F.A., Mojave Desert author, Professor of Creative Writing at College of the Desert, and former wildland firefighter\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGregory Levine, Chair UC Berkeley Art\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGeary Hund, Board member of MDLT and Transition Habitat Conservancy\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRebecca Lowry of JTLAB\u003c\/p\u003e\u003cp\u003eKelly Herbinson, Executive Director, Mojave Desert Land Trust\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDarin Boville, photographer and writer\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eJames W. Cornett, ecologist and writer\u003c\/p\u003e\u003cp\u003eAlexandra Jonassen, Technical Assistant, Western Hotel Museum, City of Lancaster\u003c\/p\u003e\u003cp\u003eCane West, National Park Service - Archaeology, Anthropology and History, Park Ranger\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAndi Campognone, Manager\/Director, Museum of Art and History (MOAH), Lancaster, CA\u003c\/p\u003e\u003cp\u003eLauren Lien, Researcher and writer, specializing in archaeology, local history, environmental conservation, and cultural heritage.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Sant Khalsa,Juniper Harrower\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Inlandia Institute\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/01\/2024\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 304\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.65lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.00h x 9.00w x 1.00d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781955969314\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eKhalsa, Sant:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003eSant Khalsa is an artist and activist whose artworks are widely exhibited, published, and collected by museums including the Los Angeles County Museum of Art and Center for Creative Photography in Tucson. 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