{"title":"Design - Graphic Arts - Advertising","description":"","products":[{"product_id":"art-of-dancehall-flyer-and-poster-designs-of-jamaican-dancehall-culture-9780789345769","title":"Art of Dancehall: Flyer and Poster Designs of Jamaican Dancehall Culture","description":"\u003cb\u003eA definitive celebration of the distinctive art of poster and flyer design in the highly influential culture of Jamaican dancehall music, by one of the best-known voices in the genre.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eCombining the energy and vibrancy of vernacular Jamaican art with the cultural insight that only original ephemera can bring, the flyers and posters collected in this book are testament to the creativity and spirit behind one of the most influential and enduring cultures in contemporary music. \u003cp\u003e\u003c\/p\u003eOriginating in Jamaica in the late 1970s, dancehall music is a club-friendly offshoot of reggae. The genre initially found particular resonance in the Jamaican diaspora and defined the soundsystem cultures that rose to prominence in New York and London in the 1980s and 1990s, which would influence the origins of hip hop. In much the same way that graffiti and paste-ups would for hip hop, the unique style of the artwork, coloring, and lettering of handmade flyers for dancehall nights became a visual language of the culture. \u003cp\u003e\u003c\/p\u003eDrawing on unrivaled private collections from Jamaica, London, New York, and Tokyo, this book is a window onto the colorful and effervescent world of dancehall--at once celebrating the ingenuity and beauty of the DIY flyers themselves, and chronicling the evolution of DJs, records, and venues that made the genre into the musical and cultural phenomenon that continues to captivate audiences to this day.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Walshy Fire\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Rizzoli Universe\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 04\/01\/2025\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 224\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.15lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.20h x 8.00w x 1.00d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780789345769\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWalshy Fire \u003c\/b\u003eis a Jamaican American musician, DJ, MC, and producer, living and working in Miami. 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However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity--as well as the social and political momentum--to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eThe Black Experience in Design\u003c\/i\u003e, an anthology centering a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black\/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. 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She is currently broadening the scope and access of design education to young people in Uganda through her DesignEd workshops. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDr. Lesley-Ann Noel\u003c\/b\u003e focuses on equity, social justice, and the experiences of people who are often excluded from design education, research and practice. She promotes greater critical awareness among designers and design students by introducing critical theory concepts and vocabulary into the design studio e.g. through The Designer's Critical Alphabet and the Positionality Wheel. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eJennifer Rittner\u003c\/b\u003e is a writer and educator. She is currently Visiting Assistant Professor in the School of Design Strategies at Parsons School of Design. Her work has been published in the\u003ci\u003e New York Times\u003c\/i\u003e, \u003ci\u003eDMI: Journal\u003c\/i\u003e, \u003ci\u003eAIGA Eye on Design\u003c\/i\u003e, and \u003ci\u003eCore77\u003c\/i\u003e; and in 2021 served as guest editor for a special issue on Design \u0026amp; Policing for Design Museum magazine. Jennifer earned her B.A. from the Gallatin School of Individualized Studies at New York University and her M.Ed. in Communication and Education at Columbia University's Teachers College. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eKelly Walters\u003c\/b\u003e is a designer, educator and founder of the multidisciplinary design studio Bright Polka Dot. Her ongoing design research interrogates the complexities of identity formation, systems of value, and the shared vernacular in and around Black visual culture. She is the author o\u003ci\u003ef Black, Brown + Latinx Design Educators: Conversations on Design and Race\u003c\/i\u003e published by Princeton Architectural Press. 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