Myother Tongue

Poetry. Latino/Latina Studies. Women's Studies. How do we trace shifts of home or syllable, the history of becoming in language? We show what's passed on with the mother-milk, the blood-words, pushed from the body onto the page. That's what these poems do, spilling beautifully, forming in the mouth of the reader. This is the 'ark built to survive': our things built with words circling, mother-to-daughter-to- mother-to-daughter. -- Eleni Sikelianos

Here are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. Alcal writes, 'What good is it to erect/ of absence/ a word?' Tough and gorgeous, smart and touching, these poems are offerings that tie, untie, unite, entice. -- Hoa Nguyen

Rosa Alcal 's new poemario MYOTHER TONGUE begins in the archives of what has yet to be written. She writes with precision and dynamism from the borders between death (of a mother) and birth (of a daughter). What a body produces, and what produces a body: labor, trauma, memory, sacrifice, pain, danger, and language formed both on the tongue and in the culture and the spaces between what can be said and what is missing, the linguistic and existential problem of not having the right words. The darknesses in Alcal 's work emerge from what happens when we don't see ourselves in the languages that both form and destroy us as we labor in this 'dream called money.' Alcal is a {un}documentarian of the highest order, a {un}documentarian of what history and memory try to erase. Her poems are urgent, demanding and haunting. -- Daniel Borzutzky

Author: Rosa Alcala
Publisher: Futurepoem
Published: 06/15/2017
Pages: 104
Binding Type: Paperback
Weight: 0.40lbs
Size: 7.90h x 5.90w x 0.30d
ISBN: 9780996002554


Review Citation(s):
Publishers Weekly 12/19/2016

About the Author
Alcala, Rosa: - Rosa Alcalá is the author of MYOTHER TONGUE (Futurepoem, 2017), THE LUST OF UNSENTIMENTAL WATERS (Shearsman Books, 2012) and UNDOCUMENTARIES (Shearsman Books, 2010), and two chapbooks, Some Maritime Disasters This Century (Belladonna*, 2003) and Undocumentary (Dos Press, 2008). Her work appears in the anthology The Wind Shifts: New Latino Poetry (University of Arizona Press, 2007), and in journals such as Mandorla, CHAIN, Barrow Street, Tarpaulin Sky, and The Brooklyn Rail. Alcalá has also translated poetry by Cecilia Vicuña, Lourdes Vázquez, and Lila Zemborain, among others. She holds an MFA in Creative Writing from Brown University, and a PhD in English from the State University of New York at Buffalo. Born and raised in Paterson, NJ, she currently resides in El Paso, Texas, where she teaches in the Department of Creative Writing and Bilingual MFA Program at the University of Texas at El Paso.

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