After Weegee: Essays on Contemporary Jewish American Photographers by Morris, Daniel
After Weegee: Essays on Contemporary Jewish American Photographers by Morris, Daniel

After Weegee: Essays on Contemporary Jewish American Photographers

Examining a range of styles from the gritty vernacular sensibility of Weegee (Arthur Fellig) to the glitzy...
€42,54 EUR
€42,54 EUR
SKU: 9780815609872
Product Type: Books
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Author: Daniel Morris
Format: Hardcover
Language: English
Subtotal: €42,54
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After Weegee: Essays on Contemporary Jewish American Photographers by Morris, Daniel

After Weegee: Essays on Contemporary Jewish American Photographers

€42,54
After Weegee: Essays on Contemporary Jewish American Photographers by Morris, Daniel

After Weegee: Essays on Contemporary Jewish American Photographers

€42,54
Author: Daniel Morris
Format: Hardcover
Language: English
Description

Examining a range of styles from the gritty vernacular sensibility of Weegee (Arthur Fellig) to the glitzy theatricality of Annie Leibovitz, Morris takes a thoughtful look at ten American photographers, exploring the artists' often ambivalent relationships to their Jewish backgrounds. Going against the grain of most criticism on the subject, Morris argues that it is difficult to label Jewish American photographers as unequivocal outsiders or insiders with respect to mainstream American culture. He shows it is equally difficult to assign a characteristic style to such a varied group, who range from self-taught photographers to those trained in art school. In eclectic ways, however, the contemporary photographers highlighted in After Weegee carry on the social justice and documentary tradition associated with Sid Grossman, Aaron Siskind, and the primarily Jewish Photo League of the 1930s by chronicling the downside of the Reagan revolution of the 1980s.

Rather than record movements or trends in current Jewish American photography, Morris focuses in-depth on the work of Bruce Davidson, Jim Goldberg, Mel Rosenthal, Diane Arbus, Lee Friedlander, Allen Ginsberg, Annie Leibovitz, Tyagan Miller, and Marc Asnin. Like Weegee, these photographers share a tendency toward socially informed expression and an interest in self-expression via the operations of photography, inevitably shaped by histories of socially conscious or documentary imaging. Moving between photo history, cultural history, and close readings of the images, Morris traces a common thread among contemporary secular Jewish American photographers, artists who link the construction of personal identity to the representation of history. After Weegee broadens our understanding of the relationship between Jewishness and contemporary photography, challenging us to take a fresh look at much of what has come to be canonized as modern, postwar, and art photography.

Author: Daniel Morris
Publisher: Syracuse University Press
Published: 06/30/2011
Pages: 340
Binding Type: Hardcover
Weight: 1.31lbs
Size: 9.24h x 6.36w x 1.06d
ISBN: 9780815609872


Review Citation(s):
Publishers Weekly 07/25/2011
Library Journal 09/15/2011 pg. 74
Choice 01/01/2012
Reference and Research Bk News 10/01/2011 pg. 299

About the Author
Daniel Morris is professor of English at Purdue University. He is the author of critical studies on William Carlos Williams, Louise Glück, and the writings of contemporary American authors on modern art. He is the coeditor of the interdisciplinary Jewish studies journal Shofar.
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