Chap-books of the Eighteenth Century

Chap-books of the Eighteenth Century - With Facsimiles, Notes, and Introduction

Although these Chap-books are very curious, and on many accounts interesting, no attempt has yet been made to place them before the public in a collected form, accompanied by the characteristic engravings, without which they would lose much of their value. They are the relics of a happily past age, one which can never return, and we, in this our day of cheap, plentiful, and good literature, can hardly conceive a time when in the major part of this country, and to the larger portion of its population, these little Chap-books were nearly the only mental pabulum offered. Away from the towns, newspapers were rare indeed, and not worth much when obtainablepoor little flimsy sheets such as nowadays we should not dream of either reading or publishing, with very little news in them, and that consisting principally of war items, and foreign news, whilst these latter books were carried in the packs of the pedlars, or Chapmen, to every village, and to every home. Previous to the eighteenth century, these men generally carried ballads, as is so well exemplified in the "Winter's Tale," in Shakespeare's inimitable conception, Autolycus. The servant (Act iv. sc. 3) well describes his stock: "He hath songs, for man, or woman, of all sizes; no milliner can so fit his customers with gloves. He has the prettiest love songs for maids; so without bawdry, which is strange; with such delicate burdens of 'dildos' and 'fadings:' 'jump her' and 'thump her;' and where some stretch-mouthed rascal would, as it were, mean mischief, and break a foul gap into the matter, he makes the maid to answer, 'Whoop, do me no harm, good man;' puts him off, slights him, with 'Whoop, do me no Page vii harm, good man.'" And Autolycus, himself, hardly exaggerates the style of his wares, judging by those which have come down to us, when he praises the ballads: "How a usurer's wife was brought to bed of twenty money-bags at a burden; and how she longed to eat adders' heads, and toads carbonadoed;" and "of a fish, that appeared upon the coast, on Wednesday the fourscore of April, forty thousand fathom above water, and sung this ballad against the hard hearts of maids;" for the wonders of both ballads, and early Chap-books, are manifold, and bear strange testimony to the ignorance, and credulity, of their purchasers. These ballads and Chap-books have, luckily for us, been preserved by collectors, and although they are scarce, are accessible to readers in that national blessing, the British Museum. There the Roxburghe, Luttrell, Bagford, and other collections of black-letter ballads are easily obtainable for purposes of study, and, although the Chap-books, to the uninitiated (owing to the difficulties of the Catalogue), are not quite so easy of access, yet there they exist, and are a splendid seriesit is impossible to say a complete one, because some are unique, and are in private hands, but so large, especially from the middle to the close of the last century, as to be virtually so. I have confined myself entirely to the books of the last century, as, previous to it, there were few, and almost all black-letter tracts have been published or noted; and, after it, the books in circulation were chiefly very inferior reprints of those already published. As they are mostly undated, I have found some difficulty in attributing dates to them, as the guides, such as type, wood engravings, etc., are here fallacious, manywith the exception of Dicey's serieshaving been printed with old type, and any wood block being used, if at all resembling the subject. I have not taken any dated in the Museum Catalogue as being of this present century, even though internal evidence showed they were earlier. The Museum dates are admittedly fallacious and merely approximate, and nearly all are queried. For instance, nearly the whole of the beautiful Aldermary Churchyard (first) editions are put down as Page viii 1750?a manifest impossibility, for there could not have been such an eruption of one class of publication from one firm in one yearand another is dated 1700?, although the book from which it is taken was not published until 1703. Still, as a line must be drawn somewhere, I have accepted these quasi dates, although such acceptation has somewhat narrowed my scheme, and deprived the reader of some entertainment, and I have published nothing which is not described in the Museum Catalogue as being between the years 1700 and 1800. ......Buy Now (To Read More)

Product details

Ebook Number: 48800
Author: Ashton, John
Release Date: Apr 27, 2015
Format: eBook
Language: English