Gallantry: Dizain des Fetes Galantes

Gallantry: Dizain des Fetes GalantesThese paragraphs, dignified by the revised edition of Gallantry and spuriously designated An...
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€6,32 EUR
SKU: gb-8715-ebook
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Author: Cabell, James Branch,1879-1958
Format: eBook
Language: English
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Gallantry: Dizain des Fetes Galantes

Gallantry: Dizain des Fetes Galantes

€6,32

Gallantry: Dizain des Fetes Galantes

€6,32
Author: Cabell, James Branch,1879-1958
Format: eBook
Language: English

Gallantry: Dizain des Fetes Galantes

These paragraphs, dignified by the revised edition of Gallantry and spuriously designated An Introduction, are nothing more than a series of notes and haphazard discoveries in preparation of a thesis. That thesis, if it is ever written, will bear a title something academically like The Psychogenesis of a Poet; or Cabell the Masquerader. For it is in this guisesometimes self-declared, sometimes self-concealed, but always as the persistent visionarythat the author of some of the finest prose of our day has given us the key with which (to lapse into the jargon of verse) he has unlocked his heart. On the technical side alone, it is easy to establish Cabell's poetic standing. There are, first of all, the quantity of original rhymes that are scattered through the dozen volumes which Cabell has latterly (and significantly) classified as Biography. Besides these interjections which do duty as mottoes, chapter-headings, tailpieces, dedications, interludes and sometimes relevant songs, there is the volume of seventy-five "adaptations" in verse, From the Hidden Way, published in 1916. Here Cabell, even in his most natural rle, declines to show his face and amuses himself with a new set of masks labelled Alessandro de Medici, Antoine Riczi, Nicolas de Caen, Theodore Passerat and other fabulous minnesingers whose verses were created only in the mind of Cabell. It has pleased him to confuse others besides the erudite reviewer of the Boston Transcript by quoting the first lines of the non-existent originals in Latin, Italian, Provenalthus making his skilful ballades, sestinas and the less medival narratives part of a remarkably elaborate and altogether successful hoax. And, as this masquerade of obscure Parnassians betrayed its creator, Cabellimpelled by some fantastic reticencesought for more subtle makeshifts to hide the poet. The unwritten thesis, plunging abruptly into the realm of analytical psychology, will detail the steps Cabell has taken, as a result of early associative disappointments, to repress or at least to disguise, the poet in himselfand it will disclose how he has failed. It will burrow through the latest of his works and exhume his half-buried experiments in rhyme, assonance and polyphony. This part of the paper will examine Jurgen and call attention to the distorted sonnet printed as a prose soliloquy on page 97 of that exquisite and ironic volume. It will pass to the subsequent Figures of Earth and, after showing how the greater gravity of this volume is accompanied by a greater profusion of poetry per se it will unravel the scheme of Cabell's fifteen essays in what might be called contrapuntal prose. It will unscramble all the rhymes screened in Manuel's monologue beginning on page 294, quote the metrical innovations with rhymed vowels on page 60, tabulate the hexameters that leap from the solidly set paragraphs and rearrange the brilliant fooling that opens the chapter "Magic of the Image Makers." This last is in itself so felicitous a composite of verse and criticisma passage incredibly overlooked by the most meticulous of Cabell's glossariansthat it deserves a paper for itself. For here, set down prosaically as "the unfinished Rune of the Blackbirds" are four distinct parodiesincluding two insidious burlesques of Browning and Swinburneon a theme which is familiar to us to-day in les mots justes of Mother Goose. "It is," explains Freydis, after the thaumaturgists have finished, "an experimental incantation in that it is a bit of unfinished magic for which the proper words have not yet been found: but between now and a while they will be stumbled on, and then this rune will live perpetually." And thus the poet, speaking through the mouth-piece of Freydis, discourses on the power of words and, in one of Cabell's most eloquent chapters, crystallizes that high mood, presenting the case for poetry as it has been pleaded by few of her most fervid advocates. ......Buy Now (To Read More)

Product details

Ebook Number: 8715
Author: Cabell, James Branch
Release Date: Aug 1, 2005
Format: eBook
Language: English

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