J. D. Salinger's The Catcher in the Rye: A Cultural History

Since its publication in 1951, The Catcher in the Rye has been a cultural phenomenon, not only as an assigned text for English courses, but as a touchstone for generations of alienated youth. As the focus of recent major films and a successful off-Broadway play attest, J.D. Salinger and his novel continue to fascinate an American reading public. But who was J.D. Salinger, and how did he come to write a novel whose impact continues to resonate with millions of readers? In J.D. Salinger's The Catcher in the Rye: A Cultural History, Josef Benson examines the legacy of an elusive author and his work. After exploring how the novel reflected Salinger's tortured psyche, the study discusses how the book made an impact on multiple generations of readers-from 1960s counter-culture youth and followers of the Black Power movement of the 1970s to the disenfranchised teens of the Reagan era and the celebrity-fixated masses of the present day. Benson also unravels the mystery behind Salinger's reclusiveness, the effects the novel had on the reading public who adored it, and why three American assassins cited the novel as an inspiration. The author also considers why this work of fiction has been among the most widely taught-and most frequently banned-books of all time. By looking at the novel as both an artifact of the 1950s as well as a living testament to the turmoil of teenage angst, J.D. Salinger's The Catcher in the Rye provides a riveting discussion of one of the most enigmatic novels and authors of all time.

Author: Josef Benson
Publisher: Rowman & Littlefield Publishers
Published: 03/15/2018
Pages: 174
Binding Type: Hardcover
Weight: 0.80lbs
Size: 8.90h x 6.30w x 0.70d
ISBN: 9781442277946

About the Author
Josef Benson is an assistant professor of English at the University of Wisconsin Parkside where he teaches courses in contemporary literature, African American literature, gender studies, poetry writing, fiction writing, and composition. He is the author of Hypermasculinities in the Contemporary Novel: Cormac McCarthy, Toni Morrison, and James Baldwin (Rowman & Littlefield, 2014).