Aesthetics
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Le trésor des humblesLe trésor des humblesSilence and Secrecy! s'crie Carlyle, il faudrait leur lever des autels d'universelle adoration. (Si ces jours taient de ceux o l'on lve encore des autels). Le silence est l'lment dans lequel se forment les grandes choses, pour qu'enfin elles puissent merger,...
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Art principles in literatureArt principles in literatureIn the Art of Interesting (Kenedy, 1920) the writer began a discussion of the principles of art and of their application to writing and speaking. In this work the discussion is carried further and is not restricted to the one feature...
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Az erkölcsi világAz erkölcsi világE knyvben az 1894. oktbertl 1895. oktberig rt dolgozataim nagyobb rszt van szerencsm kzztenni. Remlem, hogy a ki elolvassa, vilgos fogalmat alkothat magnak az erklcsi vilg trvnyrl; hogy elhigyje, hogy meggyzdjk felle, erre tbb is kell, mint lapos realis gondolkods, mely 1520...
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Fors Clavigera (Volume 3 of 8)Fors Clavigera (Volume 3 of 8) - Letters to the workmen and labourers of Great BritainThe Third Fors, having been much adverse to me, and more to many who wish me well, during the whole of last year, has turned my good and helpful...
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Fors Clavigera (Volume 2 of 8)Fors Clavigera (Volume 2 of 8) - Letters to the workmen and labourers of Great BritainI would wish you a happy New Year, if I thought my wishes likely to be of the least use. Perhaps, indeed, if your cap of liberty were what...
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Reflections on the painting and sculpture of the Greeks:Reflections on the painting and sculpture of the Greeks: - with instructions for the connoisseur, and an essay on grace in works of artIf I have been able to do justice to my Author, your Lordships accurate Jugment, and fine Taste, will naturally protect...
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Fors Clavigera (Volume 1 of 8)Fors Clavigera (Volume 1 of 8) - Letters to the workmen and labourers of Great BritainWe begin to-day another group of ten years, not in happy circumstances. Although, for the time, exempted from the direct calamities which have fallen on neighbouring states, believe me,...
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Gegen den StrichGegen den Strich Gedrngt und eingeengt in ihre alten Rahmen, die sie mit ihren breiten Schultern gnzlich ausfllen, knnten sie uns mit ihren starren Augen, den la yatagans gedrehten Schnurrbrten und ihrer mit gewlbtem Panzer bedeckten Brust nahezu erschrecken. So sahen die Ahnen der...
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Kaunis ja sen laitKaunis ja sen laitSuomentajan alkusanat. I. Taiteen synty ja kehitysoppi. II. Yleisptevt esteettiset arvostelmat. III. Ei-esteettisi tekijit. IV. Ulkonaisen luonnon vaikutelmat. V. Uskonnollinen tunne ja luonnonksitys. VI. Muotojen kauneuslait. VII. Symmetria. VIII. Vrisymboliikka. IX. Vastavrit. X. Kaunis ja tarkoituksenmukaisuus. XI. Kaunis luonnossa ja taiteessa....
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Meditaciones del QuijoteMeditaciones del QuijoteBajo el ttulo Meditaciones anuncia este primer volumen unos ensayos de varia leccin y no muchas consecuencias, que va a publicar un profesor de Filosofa in partibus infidelium. Versan unoscomo esta serie de Meditaciones del Quijote, sobre temas de alto rumbo; otros...
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Aesthetische FarbenlehreAesthetische FarbenlehreDer vorliegende Text wurde anhand der 1876 erschienenen Buchausgabe so weit wie mglich originalgetreu wiedergegeben. Typographische Fehler wurden stillschweigend korrigiert; ungewhnliche und altertmliche Ausdrcke bleiben gegenber dem Original unverndert. Rechtschreibvarianten wurden nicht vereinheitlicht, sofern die Verstndlichkeit des Textes dadurch nicht berhrt wird. Man...
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A reboursA reboursJe pense que tous les gens de lettres sont comme moi, que jamais ils ne relisent leurs uvres lorsqu'elles ont paru. Rien n'est, en effet, plus dsenchantant, plus pnible, que de regarder, aprs des annes, ses phrases. Elles se sont en quelque sorte...
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The Philosophy of Fine Art, volume 4 (of 4)The Philosophy of Fine Art, volume 4 (of 4) - Hegel's Aesthetik[Summary and contrast between poetry and the other particular arts. Its relation to the other two romantic arts. Absence of all external sensuous presence. Poetry appeals to imaginative vision. Not so direct as...
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The Philosophy of Fine Art, volume 3 (of 4)The Philosophy of Fine Art, volume 3 (of 4) - Hegel's Aesthetik[Summary. Nature of the relation between the system of Art-types, or the collective totality of ideal world-presentments, and their objective realization in independent works of art. Nature of the process in the evolution...
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The Philosophy of Fine Art, volume 2 (of 4)The Philosophy of Fine Art, volume 2 (of 4) - Hegel's Aesthetik[Evolution of the Ideal in the Particular Types of Fine Art, namely, the Symbolic, the Classical, and the Romantic. Symbolic Art seeks after that unity of ideal significance and external form, which Classical...
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The Philosophy of Fine Art, volume 1 (of 4)The Philosophy of Fine Art, volume 1 (of 4) - Hegel's AesthetikThe translation of Hegel's "Aesthetik" or "Philosophy of Fine Art," which is contained in the four volumes of the present work, is the first complete translation in English of the three volumes devoted...
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Benedetto Croce: An Introduction to His PhilosophyBenedetto Croce: An Introduction to His PhilosophyThis book is the account of the life and activity of one who is living and acting. Herodotus tells us the Greeks had a proverb which forbade them to pronounce any man happy before he is dead. We...
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RunousoppiRunousoppiOlen ottanut suomentaakseni Aristoteleen Runous-opin, arvellen ett'ei tm yritys olisi niinkn turha, vaikka kyll sen kytllinen merkitys ei voi olla suuri. Paljas kytllisyys ei olekkaan pantava kirjallisuus-tuotteiden korkeimmaksi mrjksi, eip edes meidnkn, vhitellen kehkivss, suomenkielisess kirjallisuudessa. Meidnkin kansallis-kirjallisuuden on, kuinka vhiseksi se muutoin vhisess...
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Aesthetic as science of expression and general linguisticÆsthetic as science of expression and general linguisticCorollaries and explanationsIdentity of art and intuitive knowledgeNo specific differenceNo difference of intensityThe difference is extensive and empiricalArtistic geniusContent and form in stheticCriticism of the imitation of nature and of the artistic illusionCriticism of art conceived as...
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Nietzsche and ArtNietzsche and ArtIn this book, which embodies a course of lectures delivered in a somewhat condensed and summarized form at University College, London, during November and December, 1910, I have done two things. I have propounded Nietzsche's general Art doctrine, and, with the view...
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