Cinema in the Digital Age

Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue,...
CHF 71.01
CHF 71.01
SKU: 9780231167550
Product Type: Books
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Author: Nicholas Rombes
Format: Paperback
Language: English
Subtotal: CHF 71.01
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Cinema in the Digital Age by Rombes, Nicholas

Cinema in the Digital Age

CHF 71.01

Cinema in the Digital Age

CHF 71.01
Author: Nicholas Rombes
Format: Paperback
Language: English

Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes--blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.

With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)--both shot digitally--have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.



Author: Nicholas Rombes
Publisher: Wallflower Press
Published: 12/19/2017
Pages: 280
Binding Type: Paperback
Weight: 0.85lbs
Size: 8.90h x 5.90w x 0.70d
ISBN: 9780231167550


Review Citation(s):
Choice 11/01/2018

About the Author
Nicholas Rombes is professor of English at the University of Detroit Mercy. He is the author of several books on cinema and punk, including The Ramones (2005), and editor of New Punk Cinema (2005). He also directed the feature-length lo-fi paranoid thriller The Removals (2016).

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