Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10) - Andrea da Fiesole...
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Author: Vasari, Giorgio,1511-1574
Format: eBook
Language: English
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Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

CHF 11.60 CHF 5.80
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)

CHF 11.60 CHF 5.80
Author: Vasari, Giorgio,1511-1574
Format: eBook
Language: English
Description

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10) - Andrea da Fiesole to Lorenzo Lotto

Seeing that it is no less necessary for sculptors to have mastery over their carving-tools than it is for him who practises painting to be able to handle colours, it therefore happens that many who work very well in clay prove to be unable to carry their labours to any sort of perfection in marble; and some, on the contrary, work very well in marble, without having any more knowledge of design than a certain instinct for a good manner, I know not what, that they have in their minds, derived from the imitation of certain things which please their judgment, and which their imagination absorbs and proceeds to use for its own purposes. And it is almost a marvel to see the manner in which some sculptors, without in any way knowing how to draw on paper, nevertheless bring their works to a fine and praiseworthy completion with their chisels. This was seen in Andrea, a sculptor of Fiesole, the son of Piero di Marco Ferrucci, who learnt the rudiments of sculpture in his earliest boyhood from Francesco di Simone Ferrucci, another sculptor of Fiesole. And although at the beginning he learnt only to carve foliage, yet little by little he became so well practised in his work that it was not long before he set himself to making figures; insomuch that, having a swift and resolute hand, he executed his works in marble rather with a certain judgment and skill derived from nature than with any knowledge of design. Nevertheless, he afterwards gave a little more attention to art, when, in the flower of his youth, he followed Michele [Pg 4] Maini, likewise a sculptor of Fiesole; which Michele made the S. Sebastian of marble in the Minerva at Rome, which was so much praised in those days. ......Buy Now (To Read More)

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Ebook Number: 28421
Author: Vasari, Giorgio
Release Date: Mar 27, 2009
Format: eBook
Language: English

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Translator: De Vere, Gaston du C.

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