Themes of Contemporary Art: Visual Art After 1980

Themes of Contemporary Art: Visual Art after 1980, Fifth Edition, offers students and readers an introduction to recent art. The primary focus is an examination of themes that are widespread in contemporary artistic practice. Individual chapters analyze thematic content in eight groupings: Identity, The Body, Time, Memory, Place, Language, Science, and Spirituality. These eight thematic categories provide a significant sample from which readers can grasp influential concepts that stretch across much of the art of our time. Profiles of key artists and works enhance student understanding of these major themes and the individual approaches and key movements in the world of contemporary art.


Author: Jean Robertson, Craig McDaniel
Publisher: Oxford University Press, USA
Published: 06/01/2021
Pages: 464
Binding Type: Paperback
Weight: 2.84lbs
Size: 10.02h x 7.06w x 1.02d
ISBN: 9780190078331

About the Author

Jean Robertson is Chancellor's Professor Emerita of Art History at Indiana University, Herron School of Art and Design, IUPUI. Other books co-authored with Craig McDaniel include Spellbound: Rethinking the Alphabet (Intellect and University of Chicago Press, 2016); and Painting as a Language:
Material, Technique, Form, Content (Harcourt, 2000). She is lead co-author with Deborah Hutton of The History of Art: A Global View (Thames & Hudson, 2022).

Craig McDaniel is Professor Emeritus of Fine Arts at Indiana University, Herron School of Art and Design, IUPUI. In addition to volumes co-authored with Jean Robertson, McDaniel has published essays on art and culture, most notably a series of articles that reevaluates the practice of painting and
the achievements of key painters. In addition to participating in exhibitions of his own art, McDaniel has curated over 50 exhibitions of contemporary art by others.

Scott Contreras-Koterbay (guest author) is Professor in the Department of Art & Design, adjunct professor in the Department of Philosophy & Humanities, and Director of the Bert C. Bach Fine & Performing Scholars in the Honors College at East Tennessee State University. He is co-author with Lukasz
Mirocha of The New Aesthetic and Art: Constellations of the Postdigital (Instituut voor Netweerkcultuur, 2016).