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Criticisms on "The Origin of Species"Criticisms on "The Origin of Species" - From 'The Natural History Review', 1864 In the course of the present year several foreign commentaries upon Mr. Darwin's great work have made their appearance. Those who have perused that remarkable chapter of the 'Antiquity of Man,'...
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The Origin of SpeciesThe Origin of Species - From 'The Westminster Review', April 1860 MR. DARWIN'S long-standing and well-earned scientific eminence probably renders him indifferent to that social notoriety which passes by the name of success; but if the calm spirit of the philosopher have not yet...
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Time and Life: Mr. Darwin's "Origin of Species"Time and Life: Mr. Darwin's "Origin of Species" Everyone knows that that superficial film of the earths substance, hardly ten miles thick, which is accessible to human investigation, is composed for the most part of beds or strata of stone, the consolidated muds and...
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The Darwinian HypothesisThe Darwinian Hypothesis THERE is a growing immensity in the speculations of science to which no human thing or thought at this day is comparable. Apart from the results which science brings us home and securely harvests, there is an expansive force and latitude...
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A Critical Examination of the Position of Mr. Darwin's Work, "On the Origin of Species," in Relation to the Complete Theory of the Causes of the Phenomena of Organic NatureA Critical Examination of the Position of Mr. Darwin's Work, "On the Origin of Species," in Relation to the Complete Theory of the Causes of the Phenomena of Organic Nature - Lecture VI. (of VI.), "Lectures to Working Men", at the Museum of Practical...
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The Conditions of Existence as Affecting the Perpetuation of Living BeingsThe Conditions of Existence as Affecting the Perpetuation of Living Beings - Lecture V. (of VI.), "Lectures to Working Men", at the Museum of Practical Geology, 1863, on Darwin's Work: "Origin of Species" IN the last Lecture I endeavoured to prove to you that,...
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The Perpetuation of Living Beings, Hereditary Transmission and VariationThe Perpetuation of Living Beings, Hereditary Transmission and Variation - Lecture IV. (of VI.), "Lectures to Working Men", at the Museum of Practical Geology, 1863, on Darwin's Work: "Origin of Species" The inquiry which we undertook, at our last meeting, into the state of...
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The Method by Which the Causes of the Present and Past Conditions of Organic Nature Are to Be Discovered; the Origination of Living BeingsThe Method by Which the Causes of the Present and Past Conditions of Organic Nature Are to Be Discovered; the Origination of Living Beings - Lecture III. (of VI.), "Lectures to Working Men", at the Museum of Practical Geology, 1863, on Darwin's Work: "Origin...
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The Past Condition of Organic NatureThe Past Condition of Organic Nature - Lecture II. (of VI.), "Lectures to Working Men", at the Museum of Practical Geology, 1863, on Darwin's Work: "Origin of Species" IN the lecture which I delivered last Monday evening, I endeavoured to sketch in a very...
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The Present Condition of Organic NatureThe Present Condition of Organic Nature - Lecture I. (of VI.), "Lectures to Working Men", at the Museum of Practical Geology, 1863, on Darwin's Work: "Origin of Species" Figure 3. (diagram Showing Material Relationship of The Vegetable, Animal and Inorganic Worlds.) Of the great...
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Four Short PlaysFour Short Plays The scene is the sitting-room and verandah of HER bungalow. The room is pleasant, and along the back, where the verandah runs, it seems all window, both French and casement. There is a door right and a door left. The day...
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The Little Man: A Farcical Morality in Three ScenesThe Little Man: A Farcical Morality in Three Scenes Afternoon, on the departure platform of an Austrian railway station. At several little tables outside the buffet persons are taking refreshment, served by a pale young waiter. On a seat against the wall of the...
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The First and the Last: A Drama in Three ScenesThe First and the Last: A Drama in Three Scenes PERSONS OF THE PLAY KEITH DARRANT, K.C. LARRY DARRANT, His Brother. WANDA. SCENE I. KEITH'S Study. SCENE II. WANDA's Room. SCENE III. The Same. Between SCENE I. and SCENE II.Thirty hours. Between SCENE II....
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The Skin Game (A Tragi-Comedy)The Skin Game (A Tragi-Comedy) HILLCRIST'S study. A pleasant room, with books in calf bindings, and signs that the HILLCRIST'S have travelled, such as a large photograph of the Taj Mahal, of Table Mountain, and the Pyramids of Egypt. A large bureau [stage Right],...
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The Foundations (An Extravagant Play)The Foundations (An Extravagant Play) LORD WILLIAM DROMONDY'S mansion in Park Lane. Eight o'clock of the evening. LITTLE ANNE DROMONDY and the large footman, JAMES, gaunt and grin, discovered in the wine cellar, by light of gas. JAMES, in plush breeches, is selecting wine....
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A Bit O' LoveA Bit O' Love It is Ascension Day in a village of the West. In the low panelled hall-sittingroom of the BURLACOMBE'S farmhouse on the village green, MICHAEL STRANGWAY, a clerical collar round his throat and a dark Norfolk jacket on his back, is...
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The Mob: A Play in Four ActsThe Mob: A Play in Four Acts It is half-past nine of a July evening. In a dining-room lighted by sconces, and apparelled in wall-paper, carpet, and curtains of deep vivid blue, the large French windows between two columns are open on to a...
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The Pigeon: A Fantasy in Three ActsThe Pigeon: A Fantasy in Three Acts It is the night of Christmas Eve, the SCENE is a Studio, flush with the street, having a skylight darkened by a fall of snow. There is no one in the room, the walls of which are...
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The Fugitive: A Play in Four ActsThe Fugitive: A Play in Four Acts The SCENE is the pretty drawing-room of a flat. There are two doors, one open into the hall, the other shut and curtained. Through a large bay window, the curtains of which are not yet drawn, the...
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JusticeJustice The scene is the managing clerk's room, at the offices of James and Walter How, on a July morning. The room is old fashioned, furnished with well-worn mahogany and leather, and lined with tin boxes and estate plans. It has three doors. Two...
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