Conversations with Colson Whitehead

Since the publication of his first novel, The Intuitionist, in 1999, Colson Whitehead (b. 1969) has been considered an important new voice in American literature. His seven subsequent books have done little to contradict that initial assessment, especially after 2016's The Underground Railroad spent many weeks at the top of bestseller lists and won numerous major literary awards, including the Pulitzer Prize.

Ranging from 2001 to 2016, the twenty-three interviews collected in Conversations with Colson Whitehead reveal the workings of one of America's most idiosyncratic and most successful literary minds. Through these interviews, it is clear that none of this well-earned praise has gone to his head. If anything, he still seems inclined to present himself as an awkward misfit who writes about such offbeat subject matter as rival groups of elevator inspectors, the insufficiency of off-brand "flesh-colored" bandages, or a literalized alternate version of the Underground Railroad.

Whitehead speaks at length about matters related to his craft, including his varied literary and nonliterary influences, the particular methods of researching and writing that have proved valuable to telling his stories, and the ways in which he has managed the rollercoaster life of a professional writer. He also opens up about popular culture, particularly the unconventional blend of music, genre fiction, B movies, and comic books that he gleefully identifies as a passion that has persisted for him since his childhood.

Author: Derek C. Maus
Publisher: University Press of Mississippi
Published: 03/12/2019
Pages: 196
Binding Type: Paperback
Weight: 0.65lbs
Size: 9.00h x 6.00w x 0.45d
ISBN: 9781496821478


Review Citation(s):
Choice 09/01/2019

About the Author
Derek C. Maus is associate professor of English at SUNY Potsdam and is author of Unvarnishing Reality: Subversive Russian and American Cold War Satire. He is also coeditor of Finding a Way Home: A Critical Assessment of Walter Mosley's Fiction and Post-Soul Satire: Black Identity after Civil Rights, both published by University Press of Mississippi.