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Critical Race Theory and Jordan Peele's Get Out
This book provides a concise introduction to critical race theory and shows how this theory can be...
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9781501351297
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This book provides a concise introduction to critical race theory and shows how this theory can be used to interpret Jordan Peele's Get Out. It surveys recent developments in critical race studies and introduces key concepts that have helped shape the field such as Black masculinity, white privilege, the Black body, and miscegenation. The book's analysis of Get Out situates it within the context of the American horror film, illustrating how contemporary debates in critical race theory and approaches to the analysis of mainstream Hollywood cinema can illuminate each other. In this way, the book provides both an accessible reference guide to key terminology in critical race studies and film studies, while contributing new scholarship to both fields.
Author: Kevin Wynter
Publisher: Bloomsbury Academic
Published: 05/19/2022
Pages: 200
Binding Type: Paperback
Weight: 0.47lbs
Size: 7.86h x 5.21w x 0.59d
ISBN: 9781501351297
About the Author
Kevin Wynter is Assistant Professor of Media at Pomona College, USA. He has published articles on screen violence, horror, and pornography that have appeared in Cinema Scope, Cineaction and the anthology Transnational Horror Cinema: Bodies of Excess and the Global Grotesque (2017). His current book project, Feeling Absence: Horror in Cinema from Post War American to Post-Wall Europe, examines European art cinema from the late-1980s to the early 2000s in the context of the themes and motifs of the modern American horror film
This title is only available via back order
Author: Kevin Wynter
Publisher: Bloomsbury Academic
Published: 05/19/2022
Pages: 200
Binding Type: Paperback
Weight: 0.47lbs
Size: 7.86h x 5.21w x 0.59d
ISBN: 9781501351297
About the Author
Kevin Wynter is Assistant Professor of Media at Pomona College, USA. He has published articles on screen violence, horror, and pornography that have appeared in Cinema Scope, Cineaction and the anthology Transnational Horror Cinema: Bodies of Excess and the Global Grotesque (2017). His current book project, Feeling Absence: Horror in Cinema from Post War American to Post-Wall Europe, examines European art cinema from the late-1980s to the early 2000s in the context of the themes and motifs of the modern American horror film
This title is only available via back order
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