Music Composition in the 21st Century: A Practical Guide for the New Common Practice

The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How...
€214,07 EUR
€214,07 EUR
SKU: 9781501357589
Product Type: Books
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Author: Robert Carl
Format: Hardcover
Language: English
Subtotal: €214,07
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Music Composition in the 21st Century: A Practical Guide for the New Common Practice by Carl, Robert

Music Composition in the 21st Century: A Practical Guide for the New Common Practice

€214,07

Music Composition in the 21st Century: A Practical Guide for the New Common Practice

€214,07
Author: Robert Carl
Format: Hardcover
Language: English

The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression.

From pop to classical, the book speaks to the creative ways that new composers mix and synthesize music, creating a music that exists along a more continuous spectrum rather than in a series of siloed practices. It pays special attention to a series of critical issues that have surfaced in recent years, including harmony, the influence of minimalism, the impact of technology, strategies of openness, sound art, collaboration, and improvisation. Robert Carl identifies an emerging common practice that allows creators to make more informed aesthetic and technical decisions and also fosters an inherently positive approach to new methods.

Author: Robert Carl
Publisher: Bloomsbury Academic
Published: 08/06/2020
Pages: 160
Binding Type: Hardcover
Weight: 0.84lbs
Size: 9.00h x 6.00w x 0.44d
ISBN: 9781501357589

About the Author
Robert Carl is Chair of the composition program at the Hartt School, University of Hartford, USA, and an internationally performed concert composer. He is the editor of Jonathan Kramer's Postmodern Music, Postmodern Listening (Bloomsbury, 2016), and the author of Terry Riley's In C (2009).

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