Nineteenth Century Art: A Critical History by Eisenman, Stephen F.

Nineteenth Century Art: A Critical History

The authoritative history of nineteenth-century art, now more student-friendlyAuthor: Stephen F. EisenmanPublisher: Thames & HudsonPublished: 06/10/2020Pages: 528Binding...
$270.51 AUD
$270.51 AUD
SKU: 9780500841723
Product Type: Books
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Author: Stephen F. Eisenman
Format: Paperback
Language: English
Subtotal: $270.51
Nineteenth Century Art: A Critical History by Eisenman, Stephen F.

Nineteenth Century Art: A Critical History

$270.51

Nineteenth Century Art: A Critical History

$270.51
Author: Stephen F. Eisenman
Format: Paperback
Language: English
The authoritative history of nineteenth-century art, now more student-friendly

Author: Stephen F. Eisenman
Publisher: Thames & Hudson
Published: 06/10/2020
Pages: 528
Binding Type: Paperback
ISBN: 9780500841723

About the Author
Eisenman, Stephen F.: - Stephen F. Eisenman is Professor of Art History at Northwestern University
Nochlin, Linda: - Linda Nochlin (1931-2017), described by The New York Times as the "inventor of feminist art history," was Lila Acheson Wallace professor emerita of modern art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power; Representing Women; Courbet; and Mise`re.Pohl, Frances K.: - Frances K. Pohl is the Dr. Mary Ann Vanderzyl Reynolds Professor of Humanities and Professor of Art History at Pomona College in Claremont, California. She received her Ph.D. from the University of California, Los Angeles. Since moving to Pomona in 1985, she has taught a wide variety of courses in nineteenth- and twentieth-century North American art. Her work has focused on the art of the United States, in particular the work of Ben Shahn, about whom she has written two books, and the relationship between the visual arts and working-class culture. Professor Pohl has taught in the United States for many years, but her Canadian origins give her a unique continental perspective on American art.

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