Women's Cinema, World Cinema: Projecting Contemporary Feminisms

In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the...
BD$66.56 BMD
BD$66.56 BMD
SKU: 9780822358053
Product Type: Books
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Author: Patricia White
Format: Paperback
Language: English
Subtotal: BD$66.56
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Women's Cinema, World Cinema: Projecting Contemporary Feminisms by White, Patricia

Women's Cinema, World Cinema: Projecting Contemporary Feminisms

BD$66.56

Women's Cinema, World Cinema: Projecting Contemporary Feminisms

BD$66.56
Author: Patricia White
Format: Paperback
Language: English
In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.


Author: Patricia White
Publisher: Duke University Press
Published: 02/20/2015
Pages: 280
Binding Type: Paperback
Weight: 0.86lbs
Size: 8.78h x 6.97w x 0.56d
ISBN: 9780822358053


Review Citation(s):
Choice 06/01/2015 pg. 1665

About the Author
Patricia White is Professor of Film and Media Studies at Swarthmore College. She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability, coauthor of The Film Experience, and coeditor of Critical Visions in Film Theory. She has worked extensively with Women Make Movies and the journal Camera Obscura: Feminism, Culture, and Media Studies.

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