Fellini's Eternal Rome: Paganism and Christianity in the Films of Federico Fellini

*** Winner of the2019 Flaiano Prize in the category Italian Studies *** In Fellini's Eternal Rome, Alessandro...
¥16,638 JPY
¥16,638 JPY
SKU: 9781350166257
Product Type: Books
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Author: Alessandro Carrera
Format: Paperback
Language: English
Subtotal: ¥16,638
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Fellini's Eternal Rome: Paganism and Christianity in the Films of Federico Fellini by Carrera, Alessandro

Fellini's Eternal Rome: Paganism and Christianity in the Films of Federico Fellini

¥16,638

Fellini's Eternal Rome: Paganism and Christianity in the Films of Federico Fellini

¥16,638
Author: Alessandro Carrera
Format: Paperback
Language: English

*** Winner of the2019 Flaiano Prize in the category Italian Studies ***

In Fellini's Eternal Rome, Alessandro Carrera explores the co-existence and conflict of paganism and Christianity in the works of Federico Fellini. By combining source analysis, cultural history and jargon-free psychoanalytic film theory, Carrera introduces the reader to a new appreciation of Fellini's work.

Life-affirming Franciscanism and repressive Counter-Reformation dogmatism live side by side in Fellini's films, although he clearly tends toward the former and resents the latter. The fascination with pre-Christian Rome shines through La Dolce Vita and finds its culmination in Fellini-Satyricon, the most audacious attempt to imagine what the West would be if Christianity had never replaced classical Rome. Minimal clues point toward a careful, extremely subtle use of classical texts and motifs.

Fellini's interest in the classics culminates in Olympus, a treatment of Hesiod's Theogony for a never-realized TV miniseries on Greek mythology, here introduced for the first time to an English-speaking readership. Fellini's recurrent dream of the Mediterranean Goddess is shaped by the phantasmatic projection of paganism that Christianity created as its convenient Other. His characters long for a "maternal space" where they will be protected from mortality and left free to roam. Yet Fellini shows how such maternal space constantly fails, not because the Church has erased it, but because the utopia of unlimited enjoyment is a self-defeating fantasy.

Author: Alessandro Carrera
Publisher: Bloomsbury Academic
Published: 05/28/2020
Pages: 200
Binding Type: Paperback
Weight: 0.63lbs
Size: 9.21h x 6.14w x 0.42d
ISBN: 9781350166257

About the Author
Alessandro Carrera is John and Rebecca Moores Professor of Italian Studies and World Cultures and Literatures at the University of Houston, Texas, USA. He has written on Italian and Comparative Literature, Italian and Continental Philosophy, music, and cinema. He has translated into Italian three novels of Graham Greene and all the songs and prose of Bob Dylan.

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