The A-Z of the International Art Market: The Essential Guide to Customs, Conventions and Practice by Flynn, Tom

The A-Z of the International Art Market: The Essential Guide to Customs, Conventions and Practice

It is estimated that there are over 300,000 companies involved in the world's art market, employing around...
¥6,236 JPY
¥6,236 JPY
SKU: 9781472936332
Product Type: Books
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Author: Tom Flynn
Format: Paperback
Language: English
Subtotal: ¥6,236
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The A-Z of the International Art Market: The Essential Guide to Customs, Conventions and Practice by Flynn, Tom

The A-Z of the International Art Market: The Essential Guide to Customs, Conventions and Practice

¥6,236

The A-Z of the International Art Market: The Essential Guide to Customs, Conventions and Practice

¥6,236
Author: Tom Flynn
Format: Paperback
Language: English

It is estimated that there are over 300,000 companies involved in the world's art market, employing around 2.8 million people. But the art world carries a veneer of mystery and secrecy that many people find daunting, and the language used by market insiders can be alienating and confusing to those new to the art market.

The A-Z of the International Art Market not only clarifies useful terms and definitions, but also represents a significant contribution to the fast-developing processes of transparency and democratisation in the global art business. Comprising art market terms and core concepts - both historical and contemporary - this book is a long-awaited reference source that offers a unique introduction to a dynamic business sector.

The A-Z of the International Art Market provides an accessible and thorough insight into critical areas of market practice and custom that anyone involved in the art market will find useful and enlightening.

Author: Tom Flynn
Publisher: Bloomsbury Business
Published: 12/15/2016
Pages: 216
Binding Type: Paperback
Weight: 0.65lbs
Size: 8.40h x 5.40w x 0.70d
ISBN: 9781472936332

About the Author
Tom Flynn is a visiting lecturer in the history of art and the history and professional practices of the international art market at a number of UK and European universities. He is a member of the International Association of Art Critics (AICA) and a Fellow of the Royal Society of Arts.

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