The Madonna in Art

The Madonna in Art

The Madonna in ArtIt is now about fifteen centuries since the Madonna with her Babe was first...
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SKU: gb-17373-ebook
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Author: Hurll, Estelle M. (Estelle May),1863-1924
Format: eBook
Language: English
Subtotal: ¥999
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The Madonna in Art

The Madonna in Art

¥2,000 ¥999

The Madonna in Art

¥2,000 ¥999
Author: Hurll, Estelle M. (Estelle May),1863-1924
Format: eBook
Language: English

The Madonna in Art

It is now about fifteen centuries since the Madonna with her Babe was first introduced into art, and it is safe to say that, throughout all this time, the subject has been unrivalled in popularity. It requires no very profound philosophy to discover the reason for this. The Madonna is the universal type of motherhood, a subject which, in its very nature, appeals to all classes and conditions of people. No one is too ignorant to understand it, and none too wise to be superior to its charm. The little child appreciates it as readily as the old man, and both, alike, are drawn to it by an irresistible attraction. Thus, century after [xiv]century, the artist has poured out his soul in this all-prevailing theme of mother love until we have an accumulation of Madonna pictures so great that no one would dare to estimate their number. It would seem that every conceivable type was long since exhausted; but the end is not yet. So long as we have mothers, art will continue to produce Madonnas. With so much available material, the student of Madonna art would be discouraged at the outset were it not possible to approach the subject systematically. Even the vast number of Madonna pictures becomes manageable when studied by some method of classification. Several plans are possible. The historical student is naturally guided in his grouping by the periods in which the pictures were produced; the critic, by the technical schools which they represent. Besides these more scholarly methods, are others, founded on [xv]simpler and more obvious dividing lines. Such are the two proposed in the following pages, forming, respectively, Part I. and Part II. of our little volume. The first is based on the style of composition in which the picture is painted; the second, on the subject which it treats. The first examines the mechanical arrangement of the figures; the second asks, what is the real relation between them? The first deals with external characteristics; the second, with the inner significance. ......Buy Now (To Read More)

Product details

Ebook Number: 17373
Author: Hurll, Estelle M. (Estelle May)
Release Date: Dec 22, 2005
Format: eBook
Language: English

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