Wearable Prints, 1760-1860: History, Materials, and Mechanics

Wearable prints are not only a decorative art form but also the product of a range of complex industrial processes and an economically important commodity. But when did textile printing originate, and how can we identify the fabrics, inks, dyes, and printing processes used on surviving historical examples? In Wearable Prints, 1760-1860, author Susan Greene surveys the history of wearable printed fabrics, which reaches back into the earliest days of the discovery of the delights of selectively patterned cloth and is firmly interwoven with the Industrial Revolution. The bulk of the book is devoted to the process of printing and dyeing. Greene brings together evidence from period publications and manuscripts, extant period garments and quilts, and scholarship on eighteenth- and nineteenth-century chemistry and technology. Making the text come alive, Greene includes some 1600 full-color images, including a plentiful array of textile samples. Wearable Prints, 1760-1860 is a convenient encyclopedic guide, written in plain language accessible to even the most casual reader. Historians, students, costumers, quilters, designers, curators, and collectors will find it an essential resource.

Author: Susan W. Greene
Publisher: Kent State University Press
Published: 10/01/2012
Pages: 568
Binding Type: Hardcover
Weight: 5.45lbs
Size: 11.30h x 8.70w x 1.60d
ISBN: 9781606351246


Award: PROSE - Winner
Award: Benjamin Franklin Award - Silver Medal Winner
Award: IndieFab awards - Gold Medal Winner

About the Author
Susan W. Greene is a collector, museum consultant, and independent scholar. Her collection of late eighteenth- and early nineteenth-century clothing now resides at the Genesee Country Village and Museum in Mumford, New York. She is the author of Textiles for Early Victorian Clothing and several entries in Valerie Steele's Encyclopedia of Clothing and Fashion and Carol Kammen's Encyclopedia of Local History.


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