Balanchine and Me: Be Relevant, Not Reverent by Martins, Peter

Balanchine and Me: Be Relevant, Not Reverent

Born in St. Petersburg, Russia, in 1904, George Balanchine was the 20th century's towering figure of classical...
$70.63 SGD
$70.63 SGD
SKU: 9781680536263
Product Type: Books
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Author: Peter Martins
Format: Hardcover
Language: English
Subtotal: $70.63
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Balanchine and Me: Be Relevant, Not Reverent by Martins, Peter

Balanchine and Me: Be Relevant, Not Reverent

$70.63

Balanchine and Me: Be Relevant, Not Reverent

$70.63
Author: Peter Martins
Format: Hardcover
Language: English

Born in St. Petersburg, Russia, in 1904, George Balanchine was the 20th century's towering figure of classical ballet. Coming to America in 1933, Balanchine founded the School of American Ballet and the New York City Ballet, where he hired the Danish-born Peter Martins as a dancer and, later, as a choreographer. Balanchine and Me is dedicated to Martins's profound artistic relationship with George Balanchine, who taught him a new, freer style of dance, and ultimately entrusted Martins with the future of the New York City Ballet, which Martins went on to lead for 35 years. This proved to be an inspired choice as Martins led the company to new heights, strengthened it financially, and initiated many innovative new programs. Peter Martins' insights and anecdotes of working closely with Balanchine are historically important and often highly dramatic. Balanchine and Me is an indispensable resource to anyone interested in dance and the cultural universe of New York City.



Author: Peter Martins
Publisher: Academica Press
Published: 10/07/2024
Pages: 166
Binding Type: Hardcover
Weight: 0.87lbs
Size: 9.00h x 6.00w x 0.44d
ISBN: 9781680536263

About the Author
Peter Martins was the Ballet Master in Chief of New York City Ballet for 35 years, the only person to preside over the company as long as its founder, George Balanchine. Born in Denmark, Martins began his association with NYCB in 1967, when he was invited to dance the title role in George Balanchine's Apollo during the company's appearance at the Edinburgh Festival. He then performed as a guest artist for three years before joining the company as a principal dancer in 1970. Prior to his retirement from dancing in 1983, Martins performed a wide variety of roles and was lauded for his outstanding partnering skills and noble stage presence. In 1981, Martins was named Ballet Master, a title he shared with Balanchine, Jerome Robbins, and John Taras. From 1983 to 1989, he served as Co-Ballet Master in Chief with Robbins, running day-to-day operations. He assumed sole directorship of the company in 1990 and was also Chairman of the Faculty of the School of American Ballet, NYCB's official school. In 2000, founded the New York Choreographic Institute.

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