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Stephen Shore: Survey
Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the...
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Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. Stephen Shore: Survey includes over 250 images that span Shore's impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore's contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of Shore's work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape and his significant use of color within a photographic context. The images are accompanied by an interview between David Campany and Shore, as well as texts by Sandra S. Phillips, Marta Dahó and Horacio Fernández. Published for his first ever retrospective exhibition, this essential catalogue also features a complete bibliography and chronology.
Author: Stephen Shore
Publisher: Aperture
Published: 12/31/2014
Pages: 300
Binding Type: Hardcover
Weight: 4.90lbs
Size: 10.00h x 12.40w x 1.40d
ISBN: 9781597113090
About the Author
Phillips, Sandra S.: - Sandra S. Phillips was the longtime senior curator of photography at the San Francisco Museum of Modern Art.Shore, Stephen: - Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York, at age fourteen. At seventeen, Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-four, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College.Campany, David: - David Campany is one of the best-known and most accessible writers on photography. His books include The Open Road (Aperture, 2014), Walker Evans: The Magazine Work (2013), Jeff Wall: Picture for Women (2011), Photography and Cinema (2008), and Art and Photography (2003). His essays have appeared in numerous books and he contributes regularly to Aperture, Frieze, Photoworks, and Oxford Art Journal.
Et al...
Author: Stephen Shore
Publisher: Aperture
Published: 12/31/2014
Pages: 300
Binding Type: Hardcover
Weight: 4.90lbs
Size: 10.00h x 12.40w x 1.40d
ISBN: 9781597113090
About the Author
Phillips, Sandra S.: - Sandra S. Phillips was the longtime senior curator of photography at the San Francisco Museum of Modern Art.Shore, Stephen: - Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York, at age fourteen. At seventeen, Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-four, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College.Campany, David: - David Campany is one of the best-known and most accessible writers on photography. His books include The Open Road (Aperture, 2014), Walker Evans: The Magazine Work (2013), Jeff Wall: Picture for Women (2011), Photography and Cinema (2008), and Art and Photography (2003). His essays have appeared in numerous books and he contributes regularly to Aperture, Frieze, Photoworks, and Oxford Art Journal.
Et al...
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