The Blaue Reiter

Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911-1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian émigré Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown.

Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc's Blue Horse I (1911), Kandinsky's Picture with a Black Arch (1912), and August Macke's Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color.

The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group's protagonists. This book reveals the movement's remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.

About the series

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features:

approximately 100 color illustrations with explanatory captions

a detailed, illustrated introduction

a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Author: Hajo Düchting
Publisher: Taschen
Published: 06/28/2016
Pages: 96
Binding Type: Hardcover
Weight: 1.20lbs
Size: 10.30h x 8.40w x 0.50d
ISBN: 9783836537049

About the Author
Düchting, Hajo: - Hajo Düchting studied art history, philosophy, and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken, and Mainz. Düchting has published numerous articles on the art of the modern era, color theory, and the teaching of art, and has authored a number of TASCHEN titles, including Paul Cézanne, Wassily Kandinsky, Robert and Sonia Delaunay, and Georges Seurat.

This title is not returnable