AI Art: Machine Visions and Warped Dreams

Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke...
Dhs. 185.55 AED
Dhs. 185.55 AED
SKU: 9781785420856
Product Type: Books
Please hurry! Only 375 left in stock
Author: Joanna Zylinska
Format: Paperback
Language: English
Subtotal: Dhs. 185.55
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AI Art: Machine Visions and Warped Dreams by Zylinska, Joanna

AI Art: Machine Visions and Warped Dreams

Dhs. 185.55

AI Art: Machine Visions and Warped Dreams

Dhs. 185.55
Author: Joanna Zylinska
Format: Paperback
Language: English

Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke and mirrors surrounding computation, robotics and artificial intelligence, Joanna Zylinska argues that, to understand the promise of AI for the creative fields, we must not confine ourselves solely to the realm of aesthetics. Instead, we need to address the role and position of the human in the current technical setup - including the associated issues of labour, robotisation and, last but not least, extinction. Offering a critique of the socio-political underpinnings of AI, AI Art: Machine Visions and Warped Dreams raises poignant questions about the conditions of art making and creativity today.

The book critically examines artworks that use AI, be it in the form of visual style transfer, algorithmic experiment or critical commentary. It also engages with their predecessors, including robotic art and net art. AI Art includes a project from Zylinska's own art practice titled 'View from the Window', which explores human and nonhuman forms of intelligence, perception and action. The book closes with speculation on future art - and on art's future.



Author: Joanna Zylinska
Publisher: Open Humanities Press CIC
Published: 07/15/2020
Pages: 178
Binding Type: Paperback
Weight: 0.72lbs
Size: 9.00h x 6.00w x 0.48d
ISBN: 9781785420856

About the Author
Zylinska, Joanna: - "Joanna Zylinska is a writer, lecturer, artist, curator, and - according to the ImageNet Roulette's algorithm - a 'mediatrix'. She is currently Professor of New Media and Communications at Goldsmiths, University of London. The author of a number of books on art, philosophy and technology - including The End of Man: A Feminist Counterapocalypse (University of Minnesota Press, 2018), Nonhuman Photography (MIT Press, 2017) and Minimal Ethics for the Anthropocene (Open Humanities Press, 2014) - she is also involved in more experimental and collaborative publishing projects, such as Photomediations (2016). Her own art practice engages with different kinds of image-based media."

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