History of the Opera from its Origin in Italy to the present Time

History of the Opera from its Origin in Italy to the present Time

History of the Opera from its Origin in Italy to the present Time - With Anecdotes of...
Dhs. 23.36 AED
Dhs. 46.74 AED
Dhs. 23.36 AED
SKU: gb-40164-ebook
Product Type: Books
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Author: Edwards, H. Sutherland (Henry Sutherland),1828-1906
Format: eBook
Language: English
Subtotal: Dhs. 23.36
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History of the Opera from its Origin in Italy to the present Time

History of the Opera from its Origin in Italy to the present Time

Dhs. 46.74 Dhs. 23.36

History of the Opera from its Origin in Italy to the present Time

Dhs. 46.74 Dhs. 23.36
Author: Edwards, H. Sutherland (Henry Sutherland),1828-1906
Format: eBook
Language: English

History of the Opera from its Origin in Italy to the present Time - With Anecdotes of the Most Celebrated Composers and Vocalists of Europe

IT was not until the close of the 17th century that England was visited by any Italian singers of note, among the first of whom was the well-known Margarita de l'Epine. This vocalist's name frequently occurs in the current literature of the period, and Swift in his "Journal to Stella" speaks in his own graceful way of having heard "Margarita and her sister and another drab, and a parcel of fiddlers at Windsor." This was in 1711, nineteen years after her arrival in Englanda proof that even then Italian singers, who had once obtained the favour of the English public, were determined to profit by it as long as possible. Margarita was an excellent musician, and a virtuous and amiable woman; but she was ugly and was called Hecate by her husband, who had married her for her money. The history of the Opera in England is, more than in any other country, the history of feuds and rivalries between theatres and singers. The rival of Margarita de l'Epine was Mrs. Tofts, who in 1703 was singing English and Italian songs at the theatre in Lincoln's Inn Fields. Instead of enjoying the talent of both, the London public began to dispute as to which was the best; and what was still more absurd, to create disturbances at the very theatres where they sang, so that the English party prevented Margarita de l'Epine from being heard, while the Italians drowned the voice of Mrs. Tofts.[11] Once, when the amiable Margarita was singing at Drury Lane, she was not only hissed and hooted, but an orange was thrown at her by a woman who was recognised as being or having been in the service of the English vocalist. Hence considerable scandal and the following public statement which appeared in the Daily Courant of February 8th, 1704. "Ann Barwick having occasioned a disturbance at the Theatre Royal on Saturday last, the 5th of February, and being thereupon taken into custody, Mrs. Tofts, in vindication of her innocencey, sent a letter to Mr. Rich, master of the said Theatre, which is as followeth:'Sir, I was very much surprised when I was informed that Ann Barwick, who was lately my servant, had committed a rudeness last night at the playhouse by throwing of oranges and hissing when Mrs. L'Epine, the Italian gentlewoman, sang. I hope no one will think it was in the least with my privity, as I assure you it was not. I abhor such practices, and I hope you will cause her to be prosecuted that she may be punished as she deserves. I am, sir, your humble servant, KATHARINE TOFTS.'" ......Buy Now (To Read More)

Product details

Ebook Number: 40164
Author: Edwards, H. Sutherland (Henry Sutherland)
Release Date: Jul 8, 2012
Format: eBook
Language: English

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