The Silent Musician: Why Conducting Matters

The conductor--tuxedoed, imposingly poised above an orchestra, baton waving dramatically--is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn't understand. As these clich s betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear.

The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting--from the conductor's relationship with musicians and the music, to the public and personal responsibilities conductors face--and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors--by simultaneously keeping time and allowing time to expand--manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.


Author: Mark Wigglesworth
Publisher: University of Chicago Press
Published: 03/21/2019
Pages: 264
Binding Type: Hardcover
Weight: 1.05lbs
Size: 9.10h x 6.20w x 1.00d
ISBN: 9780226622552

About the Author
Mark Wigglesworth is an internationally renowned and Olivier Award-winning conductor. He has written articles for the Guardian and the Independent and made a six-part TV series for the BBC entitled Everything to Play For. He is currently the principal guest conductor of the Adelaide Symphony Orchestra.