Fake Work: How I Began to Suspect Capitalism Is a Joke

"[A] memorable portrait of the mad hunger of corporate toil...superbly committed to its own beliefs -- truthful, dryly funny and often subtly moving." - Charles Finch, The New York Times

In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work--for readers of Bullshit Jobs and fans of Office Space and Sorry to Bother You

While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, Leigh Claire was quickly introduced to the mysterious workings of The Process--a mythical and ever-changing corporate ethos The Andersen People (her fellow consultants) believed held world-saving powers. Her heroic task: printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey.

After performing a series of equally mundane tasks, one well-timed deployment of an anecdote about a legendary quarterback catapulted her into the ranks of middle management. It wasn't long before she found herself jet-setting on the firm's dime to thirty-minute lunch meetings in Johannesburg, and giving impromptu lectures to Japanese executives about limiting liability at the end of the world.

By the end of her brief time as a businessman at a fake firm, in a fake industry, dedicated to solving a fake crisis, Leigh Claire had accumulated a lifetime's worth of lessons about the absurdity of work and the nature of financialized capitalism. Fake Work blends memoir with post-facto theoretical interjections on the philosophical problems posed by contemporary corporate culture--from the inadequacy of poststructuralist inquiry to the alienation of office jobs--to tell the story of the techno-armageddon that wasn't.

Leigh Claire La Berge is Professor of English at Borough of Manhattan Community College, City University of New York, and author of Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art and Marx for Cats: A Radical Bestiary. Her writing has appeared in Texte zur Kunst, n+1, and The Los Angeles Review of Books.