Feminist Film Theory and Cl?o from 5 to 7

The Film Theory in Practice series fills a gaping hole in the world of film theory. By...
$116.83 AUD
$116.83 AUD
SKU: 9781501313691
Product Type: Books
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Author: Hilary Neroni
Format: Paperback
Language: English
Subtotal: $116.83
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Feminist Film Theory and Cl?o from 5 to 7 by Neroni, Hilary

Feminist Film Theory and Cl?o from 5 to 7

$116.83

Feminist Film Theory and Cl?o from 5 to 7

$116.83
Author: Hilary Neroni
Format: Paperback
Language: English

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cl?o from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cl?o from 5 to 7.

Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

Author: Hilary Neroni
Publisher: Bloomsbury Academic
Published: 01/28/2016
Pages: 168
Binding Type: Paperback
Weight: 0.40lbs
Size: 7.80h x 5.10w x 0.60d
ISBN: 9781501313691

About the Author
Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors.

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