Numantia

Numantia

This is an attempt to render for the first time into readable English verse the one great drama of Cervantes. It was presented on the Madrid stage about the year 1586, during the reign of Philip II., and was received with great applause as a work of national interest. It remained, however, unprinted and was supposed to be lost. In 1784, it was published for the first time by Sancha of Madrid, in a volume which contained also Cervantes' Viaje del Parnaso, and his Trato de Argel. The Editors, with a carelessness characteristic of the times, do not tell us how it was recovered or where they got it. The literary world, however, received it gladly as a work of peculiar original power, in every way worthy of the name of Cervantes. Strange to say, a number of years afterwards, it sprang to life as an acting drama during the memorable siege of Saragossa by the French, where it had a besieged city for its stage, and patriots and heroes for its actors and audience. A work that has such a history, and has shown such[viii] persistent vitality, must have something in it worthy of the study of all lovers of the Drama, and no apology seems needful for presenting it now in an English version, which preserves the original metres, and pays due regard to accuracy and idiomatic expression. Rightly to estimate such a production we must take into account the period during which it was written and the purpose for which it was invented. Cervantes was at this time about thirty-nine years of age. He returned from his captivity in Algiers in 1580. He was married in 1584, and with the gallantry peculiar to his nature he laid at the feet of his bride the first fruits of his genius, a pastoral romance known as La Galatea. The newly married pair, who lived at Esquivias, a few miles from Madrid, had the slenderest of fortunes, and as love would not fill the cupboard, Cervantes followed his natural inclination, went to Madrid, and took to writing for the stage. Though the pay was scanty it was better than could be got by writing sentimental romances. He remained at this occupation till he left for Seville in 1588, and wrote, as he tells us, between twenty and thirty plays. At this period, throughout Europe generally, dramatic art, and tragic art especially, was still in its infancy, and its laws and principles were as yet undetermined. In Italy Tasso had produced his[ix] "Aminta" at Ferrara, and Guarini his "Pastor Fido" at Milan (1585), but Italian Tragedy had yet to await the advent of Maffei, Metastasio, and Alfieri in long after years. In France Corneille and Racine were as yet unborn. In England such authors as Marlowe, Greene, and Peele were beginning their careers, and Shakespeare, a youth of twenty-two (he was seventeen years the junior of Cervantes) was perchance only brooding over his "Venus and Adonis." In Spain such writers as Juan del Encina, Torres del Naharro, Gil de Vicente, and the authors of the famous Tragi-Comedy, Celestina, at the beginning and middle of the sixteenth century, had done good service to Spanish Literature, but had settled nothing as to the form which the Spanish drama should take. Cervantes himself looked upon Lope de Rueda as the true originator of a genuine national theatre. He died in 1565, and was buried between the choirs of the Cathedral of Cordova (that wonderful Moorish Mosque), an unexampled honour in those days. A man of the people himself (he was a gold-beater by trade) he became the idol of the people both as actor and author. His pasos (equivalent to the French proverbes), founded on national manners, and flavoured with true Spanish salt, were unrivalled, and wherever his booth-theatre was pitched, in town or country, he was received with[x] acclamation. Cervantes, during his boyhood, was charmed with him, and the impressions he received were never effaced. But that homespun genius could teach him nothing in the highest walks of his art. ......Buy Now (To Read More)

Product details

Ebook Number: 53041
Author: Cervantes Saavedra, Miguel de
Release Date: Sep 13, 2016
Format: eBook
Language: English

Contributors

Translator: Gibson, James Young, 1826-1886