Rude Stone Monuments in All Countries: Their Age and Uses

Rude Stone Monuments in All Countries: Their Age and Uses

When, in the year 1854, I was arranging the scheme for the 'Handbook of Architecture,' one chapter of about fifty pages was allotted to the Rude Stone Monuments then known. When, however, I came seriously to consult the authorities I had marked out, and to arrange my ideas preparatory to writing it, I found the whole subject in such a state of confusion and uncertainty as to be wholly unsuited for introduction into a work, the main object of which was to give a clear but succinct account of what was known and admitted with regard to the architectural styles of the world. Again, ten years afterwards, while engaged in re-writing this 'Handbook' as a 'History of Architecture,' the same difficulties presented themselves. It is true that in the interval the Druids, with their Dracontia, had lost much of the hold they possessed on the mind of the public; but, to a great extent, they had been replaced by prehistoric myths, which, though free from their absurdity, were hardly less perplexing. The consequence was that then, as in the first instance, it would have been necessary to argue every point and defend every position. Nothing could be taken for granted, and no narrative was possible. The matter was, therefore, a second time allowed quietly to drop without being noticed. I never, however, lost sight of the subject, and I hoped some time or other to be able to treat of it with the fulness its interest deserves; and in order to forward this project, in July, 1860, I wrote an article in the 'Quarterly Review,' entitled 'Stonehenge,' in which I stated the views I had then formed on the subject; and again, ten years afterwards, in April of last year, another article, entitled 'Non-Historic Times' in the same journal, in which I added such new facts and arguments as I [Pg vi] had gathered in the interval. The principal object it was sought to attain in writing these articles, was to raise a discussion on the moot points which I hoped would have tended towards settling them. If any competent archologist had come forward, and could have pointed out the weak point in the argument, he would have rendered a service to the cause; or if any leading authority had endorsed the views advocated in these articles, the public might have felt some confidence in their correctness. This expectation has not been fulfilled, but they have probably not been without their use in preparing the minds of others for the views advanced in them, while, as no refutation has appeared, and no valid objection has been urged against them, either in public or in private, I may fairly consider myself justified in feeling considerable confidence in their general correctness. Till antiquaries are agreed whether the circles are temples or tombs or observatories, whether the dolmens are monuments of the dead or altars for sacrificing living men, and whether the mounds are tombs or law courts, it seems impossible, without arguing every point, to write anything that will be generally accepted. Still more, till it is decided whether they are really prehistoric or were erected at the periods where tradition and history place them, it seems in vain to attempt to explain in a simple narrative form either their age or uses. As a necessary consequence of all this confusion, it is scarcely practicable at present to compile a work which shall be merely a Historical and Statistical account of the Rude Stone Monuments in all parts of the world; but till something is settled and agreed upon, we must be content with one which to a certain extent, at least, takes the form of an argument. Many of its pages which would have been better employed in describing and classifying, are occupied with arguments against some untenable theory or date, or in trying to substitute for those usually accepted, some more reasonable proposition. Notwithstanding this, however, it is hoped [Pg vii] that this work will be found to contain a greater number of new facts regarding Rude Stone Monuments, and of carefully selected illustrations extending over a larger area, than have yet been put together in a volume of the same extent. It may fairly be asked, and no doubt will, how I dare to set up my opinions with regard to these monuments in opposition to those of the best informed antiquaries, not only in this country but on the Continent? The answer I would venture to suggest is, that no other antiquary, so far as I am aware, has gone so carefully and fully into the whole subject, or has faced all the difficulties with which the questions are everywhere perplexed. The books that have hitherto been written are either the work of speculative dreamers, like Stukeley, Higgins, or Vallancey, who having evolved a baseless theory out of their own inner consciousness, seek everywhere for materials to prop it up, and are by no means particular as to the inferences they draw from very obscure or slender hints: or they are, on the other hand, the works of local antiquaries, whose opinions are influenced mainly by what they find in their own researches. The works of such men are invaluable as contributions to the general stock of knowledge, but their theories must be received with caution, as based on too narrow a foundation either of facts or inferences; for it need hardly be insisted upon that no amount of local experience can qualify any one to write on such a subject as this. It does not even seem sufficient that an author should be familiar with all the varieties of megalithic remains. Unless he has also mastered the other forms of architectural art, and knows in what manner and from what motives the styles of one people are adopted from or influenced by that of another race, he will hardly be able to unravel the various tangled problems that meet him at every step in such an investigation. When looked at, however, from the same point of view, and judged by the same laws as other styles, that of the dolmen builders does not appear either [Pg viii] mythical or mysterious. They seem to be the works of a race of men actuated by the same motives and feelings as ourselves, and the phenomena of their arts do not seem difficult of explanation. ......Buy Now (To Read More)

Product details

Ebook Number: 54620
Author: Fergusson, James
Release Date: Apr 28, 2017
Format: eBook
Language: English