The Sacred Tree or, the tree in religion and myth

The Sacred Tree; or, the tree in religion and mythThe reader is requested to bear in mind...
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SKU: gb-47215-ebook
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Author: Philpot, J. H.
Format: eBook
Language: English
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The Sacred Tree or, the tree in religion and myth

The Sacred Tree or, the tree in religion and myth

€6,33

The Sacred Tree or, the tree in religion and myth

€6,33
Author: Philpot, J. H.
Format: eBook
Language: English

The Sacred Tree; or, the tree in religion and myth

The reader is requested to bear in mind that this volume lays no claim to scholarship, independent research, or originality of view. Its aim has been to select and collate, from sources not always easily accessible to the general reader, certain facts and conclusions bearing upon a subject of acknowledged interest. In so dealing with one of the many modes of primitive religion, it is perhaps inevitable that the writer should seem to exaggerate its importance, and in isolating a given series of data to undervalue the significance of the parallel facts from which they are severed. It is undeniable that the worship of the spirit-inhabited tree has usually, if not always, been linked with, and in many cases overshadowed by other cults; that sun, moon, and stars, sacred springs and stones, holy mountains, and animals of the most diverse kind, have all been approached with singular impartiality by primitive man, as enshrining or symbolising a divine principle. But no other form of pagan ritual has been so widely distributed, has left behind it such persistent traces, or appeals so closely to modern sympathies as the worship of the tree; of none is the study better viii calculated to throw light on the dark ways of primitive thought, or to arouse general interest in a branch of research which is as vigorous and fruitful as it is new. For these reasons, in spite of obvious disadvantages, its separate treatment has seemed to the writer to be completely justifiable. It is the purpose of the present volume to deal as concisely as possible with the many religious observances, popular customs, legends, traditions and ideas which have sprung from or are related to the primitive conception of the tree-spirit. There is little doubt that most if not all races, at some period of their development, have regarded the tree as the home, haunt, or embodiment of a spiritual essence, capable of more or less independent life and activity, and able to detach itself from its material habitat and to appear in human or in animal form. This belief has left innumerable traces in ancient art and literature, has largely shaped the usages and legends of the peasantry, and impressed its influence on the ritual of almost all the primitive religions of mankind. There is, indeed, scarcely a country in the world where the tree has not at one time or another been approached with reverence or with fear, as being closely connected with some spiritual potency. The evidence upon which this assertion is based is overwhelming in amount, and is frequently to be found in quarters where until lately its presence was 2 unsuspected or its significance ignored. For instance, in the interior of that fascinating storehouse of antiquity, St. Marks at Venice, there are embedded in the walls, high above ones head, a number of ancient sculptured slabs, on each of which a conventionalised plant, with foliage most truthfully and lovingly rendered, is set between two fabulous monsters, as fantastic and impossible as any supporters to be met with in the whole range of heraldry (see Frontispiece). To the ordinary observer these strange sculptures say nothing; probably he passes over them lightly, as the offspring of that quaint mediaeval fancy which was so prolific in monstrous births. But the student of Oriental art at once detects in them a familiar design, a design whose pedigree can be traced back to the day, six thousand years ago, when the Chaldaean Semites were taking their culture and religion from the old Accadians who dwelt on the shores of the Persian Gulf. In the central plant he recognises the symbol or ideograph of a divine attribute or activity, if not a representation of the visible embodiment or abode of a god, and in the raised hand or forepaw of the supporters he discerns the conventional attitude of adoration. The design, in short, which was probably handed on from Assyria to Persia, and from Persia to Byzantium, and so to Venice, is a vestige of that old world religion which regarded the tree as one of the sacred haunts of deity. ......Buy Now (To Read More)

Product details

Ebook Number: 47215
Author: Philpot, J. H.
Release Date: Oct 28, 2014
Format: eBook
Language: English

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