Of Six Mediaeval Women To Which Is Added A Note on Mediaeval Gardens

Of Six Mediæval Women; To Which Is Added A Note on Mediæval Gardens

The recent researches of scholars and students have brought the study of medival times within the range of almost any one who cares to live in imagination in the past. No part of this study has been more advanced and made more informing to us than that which regards the individual. This is specially true of womankind, of whom we have learnt somewhat, in some instances from their own writings, and in others from allusions to their work in those of contemporary and later writers, and also, incidentally, from the vast storehouse of didactic literature, which is so suggestive in itself, reflecting through successive centuries, as it seems to do, the standard of conduct of the large majority. But on this subjecta very large one, and only partially exploredlight can only be thrown gradually. For this there are various reasons. One is that, until comparatively recent times, the small details of everyday life which go so largely to make[xii] up a womans life, have generally been taken for granted by writers. Then the few medival historiographers and chroniclers were principally engaged in recounting the deeds of kings and feats of arms. Then again, although probably many MSS. of the time still lie undiscovered in libraries, those that are known to us are scattered far and wide. Furthermore, self-advertisement was not a medival fashion. It is perhaps difficult for us nowadays to understand a spirit of self-effacement. Self-esteem, which may develop for either good or ill, has perhaps always existed in the human breast, but certainly since the time of the Renaissance, when it seemed to have its own special revival, it has grown apace, and is to-day like unto the Mustard Tree of Holy Writ. But it is not proposed to contrast this our modern attitude with the impersonal one, if so it may be called, of the Middle Ages, because, whilst there were many humble, zealous workers then, just as there are now, it is possible there were other and perhaps more potent factors to account for this apparently humble attitude. In medival days, the subject of a narrative or didactic work was considered so important, that an author would scarcely venture on any independent treatment of a theme for fear of incurring censure for a contempt of authority, or, if he did so venture, he would probably deem it wiser to[xiii] do so anonymously, or by ascription to some departed celebrity, who was obviously not in a position to gainsay him. The writer was of much less interest than his ideas and sentiments. Then again there was the intense localisation of life. Localities were very independent of one another. Each was complete in itself, and within it there was no need for self-advertisement. It was the same in the wider life of associated religious communities, such as Benedictines, Cluniacs, and Cistercians, who had so much to do with the building of abbeys and cathedrals. Within a fraternity, the specially gifted craftsman was known, and wherever work was going on within the Order, was made use of as needs be, not as Brother This, or Brother That, but simply as scribe, or as artificer in Madonnas or gargoyles, or whatever else was wanted. The glorification of the community as a whole, and not the advertisement of the individual, was the desired goal. This self-effacement was not so much humility, though of course that too existed, as the special form which communal feeling took at that time. Now if this suppression of the individual was true of men, how much more true must it have been of women, who seldom ventured beyond town, or castle, or convent walls. In truth, women hardly appear on the scene, and English women least of all. It is[xiv] only women who were prominent through their high official positions, either political or religious, such as Blanche of Castile, or St. Catherine of Siena, or the Abbess Hildegarde, or women like the Blessed Angela of Foligno,[1] or Julian, anchoress of Norwich,[2] or some other of the devout women of medival Italy, who interpreted the mysteries of divine love to medival society, having in fact, as it were, religious salons, from whom the veil has been withdrawn, and even amongst such as these it has sometimes been only very slightly lifted. With these saintly and political women must be mentioned the women doctors of SalernoTrothula, Abella, Mercurialis, and otherswho played so important a part both as professors and practitioners when this school of medicine was at its zenith in the eleventh and twelfth centuries, and who left behind them, as evidence of their learning, treatises which are of interest to-day as showing medival methods in medicine. Still, even so, the records are scanty. In order, therefore, to form some idea and estimate of women generally in the Middle Ages, we must perforce fall back on reasoning from the [xv]known to the unknown, and, by studying the few who are recorded in written history, judge of that great majority who, though nameless, have yet so largely helped to make up the worlds unwritten history. Just as many a flower blooms and dies unseen, so many a woman must have lived her life, serviceable to her special environment, but wholly unrecorded. Just as, in the course of ages, the seeds of some humble plant have been carried by wind or water from some lonely region to one less remote, and made to serve a purpose by adding to the sum-total of beauty and usefulness, so the thoughts and deeds of many an unremembered woman have doubtless passed into the great ocean of thought, encircling us to-day, and influencing us as a living force. Thus we have the women who figure in history, and whom we must take as types of the influential woman of the time, and the women whom history has not so honoured. Of the former, even when only portrayed in outline, we can learn something, but how are we to learn anything of the latter, whether living in the seclusion of religious houses or in the world? Of those living in religious houses, we know from records that, besides attending to their own spiritual and mental education and tending the sick, they conducted the cloister schools and taught in them needlework, the art of confectionery,[xvi] surgery, writing, and drawing. They also wove, and embroidered, and added their mite to the sum-total of beauty by transcribing and illuminating MSS. of the Gospels and of the lives of the Saints. But sometimes such a limited sphere of activity was enlarged, and it is to an anonymous Anglo-Saxon nun of the eighth century, to whom the experiences were related, that we owe one of the earliest and most interesting accounts extant in Northern Europe of a journey to Palestine. ......Buy Now (To Read More)

Product details

Ebook Number: 31843
Author: Kemp-Welch, Alice
Release Date: Mar 31, 2010
Format: eBook
Language: English