Masterpieces in Colour

Masterpieces in Colour

Filippo LippiIn this earliest known picture by Filippo Lippi, the painter is still entirely under the influence...
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SKU: gb-41887-ebook
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Author: Konody, Paul G. (Paul George),1872-1933
Format: eBook
Language: English
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Masterpieces in Colour

Masterpieces in Colour

$19.99 $9.99

Masterpieces in Colour

$19.99 $9.99
Author: Konody, Paul G. (Paul George),1872-1933
Format: eBook
Language: English

Filippo Lippi

In this earliest known picture by Filippo Lippi, the painter is still entirely under the influence of his youthful training. It is just like an illuminated miniature on a large scale, and is lacking in unity of design or pictorial vision. Note the way in which the figure of the Madonna is detached from the background, without having any real plastic life; and how awkwardly the monk is placed in the corner. The rocky landscape, with its steep perspective, is still quite in the spirit of the early primitives, although certain realistic details, like the cut-down tree-stump behind the Virgin, and the reflection of the sky in the water, show his loving observation of Nature. The picture was for a long time attributed to Masaccio's master, Masolino. IN Vasari's gossipy Lives of the Painters, and indeed in most art histories written before the era of scientific critical research, there is an inclination, in the absence of documentary material, to reconstruct the old masters' characters and lives from the evidence of their extant works. Many a[10] charming legend, that was originally suggested by the expression of the painter's personality in his art, and has been handed down from generation to generation, had to be shelved as dusty archives yielded new knowledge of indisputable prosaic facts to the diligent searcher. Whilst the serious student owes a debt of deep gratitude to those who devote their time and labour to the investigation of documentary evidence, and to establishing critical standards for the sifting of the great masters' works from those of their followers and imitators, the elimination of romance from the history of art is a hindrance rather than a help to the ordinary person who cares not a jot about morphological characteristics, but loves nevertheless to spend an hour now and then in communion with the old masters. For him, paradoxical though it may seem, there is more significant truth in many an entirely[11] fictitious anecdote, than in the dry facts recorded by the conscientious historian. ......Buy Now (To Read More)

Product details

Ebook Number: 41887
Author: Konody, Paul G. (Paul George)
Release Date: Jan 20, 2013
Format: eBook
Language: English

Contributors

Editor: Hare, T. Leman (Thomas Leman), 1872-1935

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