New Surrealism: The Uncanny in Contemporary Painting

New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art. It demonstrates the many ways in which the most significant art movement of the last century continues to be relevant today, featuring an international selection of contemporary artists whose compositions and studio practice reveal its influence.

There are many modalities of historical Surrealism that still maintain contemporary currency: presenting the familiar as unfamiliar and uncanny, the juxtaposition of seemingly unrelated imagery, the use of absurdity to critique political or social issues, and the use of erotic imagery in an irrational, non-linear context. Not all the artists brought together in this book self-identify as Surrealist, per se, but each uses some variation of Surrealism in a personal manner. The book begins with a study of the origins, leadership, participating artists, and major milestones of historical Surrealism. Zeller chronicles the movement starting at the end of World War I and the birth of Dada. The most important players and events emerge throughout the timeline of events--including World War II, and such notable artists as Max Ernst, Marcel Duchamp, Leonora Carrington, and many others--up until the death of its leader Andre Breton in 1966. Zeller then explores how elements of New Surrealism are being put into practice in the contemporary art world. Section Two offers a survey of 29 contemporary artists who engage in New Surrealism's seemingly unlimited variations of the movement's original themes, including Rosa Loy, Glenn Brown, and Arghavan Khosravi. Section Three features 14 artists, including important contemporary artists such as Inka Essenhigh, Ginny Casey and Anna Weyant, who speak to Surrealism's influence on their studio practice, detailing in their own words how they create a composition from start to finish.

Robert Zeller is an artist, writer, and teacher who lives and works in Oyster Bay, New York. Zeller received a BFA from the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. He finished his education with atelier training at the Water Street Atelier and in-depth anatomical and structural study with the sculptor Sabin Howard. Zeller is the recipient of two Posey Fellowships, a PollockKrasner Foundation Grant, and has exhibited at galleries in Los Angeles, Houston, Paris, and New York. Zeller's first book for Monacelli, The Figurative Artist's Handbook (Monacelli, 2016), was a bestseller in the US, UK, Australia, and other English-speaking countries. Zeller founded The Teaching Studios of Art in 2009, an international art school devoted to teaching traditional techniques to artists of all ages and skill levels, and offers both in-studio and online lessons. He has taught drawing and painting workshops in New York, Rome, and Ireland. Zeller co-curated two exhibitions for Booth in New York: Not All Doors Are the Same in 2019 and The New Baroque in 2017. In the fall of 2021, he was one of nine figurative artists from across the US chosen for art historian and critic Donald Kuspit's overview of contemporary art, Varieties of Figurative Expression, at George Bergès Gallery.