Serge Prokofieff and His Orchestral Music

Serge Prokofieff and His Orchestral Music

Serge Prokofieff and His Orchestral MusicThe first is classical, whose origin lies in my early infancy when...
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Author: Biancolli, Louis Leopold,1907-
Format: eBook
Language: English
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Serge Prokofieff and His Orchestral Music

Serge Prokofieff and His Orchestral Music

$19.99 $9.99

Serge Prokofieff and His Orchestral Music

$19.99 $9.99
Author: Biancolli, Louis Leopold,1907-
Format: eBook
Language: English

Serge Prokofieff and His Orchestral Music

The first is classical, whose origin lies in my early infancy when I heard my mother play Beethoven sonatas. It assumes a neo-classical aspect in the sonatas and the concertos, or imitates the classical style of the eighteenth century, as in the Gavottes, the Classical Symphony, and, in some respects, in the Sinfonietta. The second is innovation, whose inception I trace to my meeting with Taneieff, when he taunted me for my rather elementary harmony. At first, this innovation consisted in the search for an individual harmonic language, but later was transformed into a desire to find a medium for the expression of strong emotions, as in Sarcasms, Scythian Suite, the opera The Gambler, They are Seven, the Second Symphony, etc. This innovating strain has affected not only the harmonic idiom, but also the melodic inflection, orchestration, and stage technique. The third is the element of the toccata or motor element, probably influenced by Schumanns Toccata, which impressed me greatly at one time. In this category are the Etudes Op. 2, Toccata, Op. 11, Scherzo, Op. 12, the Scherzo of the Second Piano Concerto, the Toccata in the Fifth Piano Concerto, the persistent figurations in the Scythian Suite, Le Pas dacier, and some passages in the Third Piano Concerto. This element is probably the least important. ......Buy Now (To Read More)

Product details

Ebook Number: 50226
Author: Biancolli, Louis Leopold
Release Date: Oct 15, 2015
Format: eBook
Language: English

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