Wenderholme: A Story of Lancashire and Yorkshire

Wenderholme: A Story of Lancashire and Yorkshire

It happened, some time before this story was originally composed, that the author had a conversation, about the sale of novels, with one of the most eminent publishers of fiction in London.[1] The result of his experience was, that in the peculiar conditions of the English market short novels did not pay, whilst long ones, of the same quality, were a much safer investment. Having incurred several successive losses on short novels, my friend, the publisher, had made up his mind never to have any thing more to do with them, and strongly recommended me, if I attempted a work of fiction, to go boldly into three volumes at once, and not discourage myself by making an experiment on a smaller scale, which would only make failure a certainty. The reader may easily imagine the effect of such a conversation as this upon an author who, whatever may have been his experience in other departments of literature, had none at all in the publication of novels. The practical consequence of it was, that, when the present story was written, commercial reasons prevailed, as they unhappily so often do prevail, over artistic[Pg viii] reasons, and the book was made far longer than, as a work of art, it ought to have been. The present edition, though greatly abridged, is not by any means, from the author's point of view, a mutilated edition. On the contrary, it rather resembles a building of moderate dimensions, from which excrescences have been removed. The architect has been careful to preserve every thing essential, and equally careful to take away every thing which had been added merely for the sake of size. The work is therefore at the present time much nearer in character to the original conception of the designer than it has ever been before. Notwithstanding the defect of too great length, and the difficulty which authors often experience in obtaining recognition in a new field, Wenderholme was very extensively reviewed in England, and, on the whole, very favorably. Unfortunately, however, for the author's chances of profiting by the suggestions of his critics, it so happened that when any character or incident was selected for condemnation by one writer, that identical character or incident was sure to be praised enthusiastically by another, who spoke with equal authority and decision, in some journal of equal importance. The same contradictions occurred in criticisms by private friends, people of great experience and culture. Some praised the first volume, but did not like the third; whilst others, who certainly knew quite as much about such matters, considered that the book began badly, but improved immensely as it went on, and finished in quite an admirable manner, like a horse that has warmed to his work. These differences of opinion led me to the rather discouraging conclusion that there is nothing like an accepted[Pg ix] standard of right and wrong in the criticism of fiction; that the critic praises what interests or amuses him, and condemns what he finds tiresome, with little reference to any governing laws of art. I may observe, however, that the book had an artistic intention, which was the contrast between two classes of society in Lancashire, and that the militia was used as a means of bringing these two classes together. I may here reply to one or two objections which have been made as to the manner in which this plan was carried out. ......Buy Now (To Read More)

Product details

Ebook Number: 40874
Author: Hamerton, Philip Gilbert
Release Date: Sep 27, 2012
Format: eBook
Language: English